CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
There is no doubt that the Sex and the City franchise is one of the most successful in television history. The series is popular with teenagers and women alike, and its stars have become style icons for fans to the point where many have dressed for theatre showings in attire that Continue Reading
Vincenzo Natali’s Splice (2009) crept into cinemas earlier this year well out of reach of most cinemagoer’s radars. Tackling some unsettling scientific ethics as well as grappling some thorny moral issues, Splice offers an engrossing and, rather uniquely, fresh story that sets it apart from most other recent cinematic releases.When Continue Reading
Why is Japanese cinema loved on a world wide scale? The simple answer is because it dares to tread the ground that mainstream, westernised film will not. Whilst movies like Scream (1996) and Saw (2004) attempt to display the motives and reasons behind inhumane, bloodthirsty violence, J-Horror makes no such Continue Reading
★★★☆☆ To say Stieg Larsson’s novels are popular would be an understatement, and the first two film adaptations The Girl With the Dragon Tattoo (2009) and The Girl Who Played with Fire (2009) (both released theatrically in the authors’ native Swedish) have been both critically and commercially well-received.The third and Continue Reading
★☆☆☆☆ A depiction of intense loneliness and psychosexual torture, Michael Rowe’s minimalist debut feature Leap Year (Año bisiesto, 2010) raises many a difficult question with regards to its seemingly complex gender politics. It follows the life of Laura, played with vulnerable perfection by Monica Del Carmen, a lonely freelance journalist who lives alone Continue Reading
★★☆☆☆ As an artist known primarily for his work as a music video director and band photographer, Anton Corbijn’s latest project The American (2010), starring George Clooney, could well be seen as a drastic departure from his well established roots. His debut feature Control (2007) yielded great critical acclaim, although Continue Reading
★★★☆☆ Anyone with even a passing interest in the world of film and music videos will no doubt be familiar with the work of director/producer duo Garth Jennings and Nick Goldsmith, a.k.a. Hammer and Tongs. Whether this be as a result of their more recent feature films such as The Continue Reading
Fifteen years after the release of the groundbreaking Toy Story (1995) and eleven years after the release of the arguably superior Toy Story 2 (1999), Pixar returned to cinemas this year with the final instalment to the Toy Story trilogy.Director of both prequels, John Lasseter, handed the reigns to first Continue Reading
“The only really satisfactory way to dispose of Peeping Tom would be to shovel it up and flush it swiftly down the nearest sewer”, wrote Derek Hill in his review for The Tribune after seeing Michael Powell’s 1960 psychological thriller, Peeping Tom. A vicious and petulant outburst to say the Continue Reading
After producing a string of super low budget features in his native Sweden, Mammoth (2010) is the first multi-national picture by acclaimed writer-director Lukas Moodysson, and “multi-national” really is the adjective of choice.Mammoth is structured around the New York-based Vidales family: the father, Leo (Gael Garcia Bernal), an internet game Continue Reading
Refreshingly cast in eye-popping animation of a more traditional, “pre-digimation” variety, Chico and Rita (2010) softly commences on a steamy night in Havana in 1948. Born out of a close collaboration between Oscar-winning director Fernando Trueba and celebrated Spanish artist Javier Mariscal, this visually distinctive feature details a classical story Continue Reading
★★★★★ This year’s winner of the coveted Palme d’Or Prize, the magical-realist Thai oddity Uncle Boonmee Who Can Recall His Past Lives (2010), was one of the most unforeseen, yet unanimously welcomed Cannes Film Festival award winners of all time. Apichatpong Weerasethakul’s magnum opus has perhaps been best summarised, by Continue Reading
★★★★☆ With such a delightfully intriguing premise, it’s no wonder Pang Ho-Cheung’s slasher film Dream Home (2010) has garnered such playful taglines as “A view to a kill”, “Don’t try this at home” and “What would do, if someone blocked your view?”. But don’t let cheesy puns or rhyming couplets put Continue Reading
★★★☆☆ Aftershock, China’s first official IMAX movie, might attract praise or criticism for many different reasons, but it’s certainly not the kind of film to leave viewers indifferent. Based on the events of the 1976 earthquake in Tangshan, Hebei province, Xiaogang Feng’s film follows the aftermath of a shattering natural disaster. Continue Reading
Anyone who has seen the ongoing series of mad-cap Cravendale adverts, featuring an ensemble cast of miniature plasticine figurines ranging from farmyard animals to pirates and farmers (Cue maniacal howls of “MILK, MILK!”) should find themselves at home with the latest effort from Belgian stop-frame animators ‘Pic Pic André’ – Continue Reading