
Bendjelloul knew he’d struck gold with this incredible story. “I spent a couple of years trying to find stories. When I came across this, I was like…wow. I think that the structure, I had from the beginning, because I thought it was such a powerful narrative. That you start off from a South African perspective, that they actually think he’s dead. Many were opposed to that – they thought that everyone was going to know that he’s alive. But this is the story! It doesn’t matter if you know he’s alive”. We asked Malik about the animation, perhaps the only weak point in an otherwise perfect film. “The first idea was to make a lot of animation”, he explained. “Everything that wasn’t film should be animation. But I couldn’t afford [the animations] because I couldn’t get professionals to do it. I used my iPhone with a Super 8 app, to make a lot of the things that were supposed to be animations because this is cheaper! It was really very primitive conditions”.
Malik was nervous about his portrayal of Rodriguez, even if he felt that the film would stand alone as an incredible story: “You adapt real life into something. You are telling something that is perceived as truth”. And how does Rodriguez feel about all this fanfare: sell-out shows, film festivals, rounds of interviews and an official soundtrack released by Sony? “I’m very lucky. You know the Gladstone duck? He falls down and finds a diamond. I have that kind of luck – but I don’t gamble. Only with my life”.
Malik Bendjelloul’s Searching for Sugar Man is released in UK cinemas this Thursday. Read our review here.