CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★☆☆☆ Directed by Brillante Mendoza and starring the incredibly watchable Isabelle Huppert (The Piano Teacher [2001], White Material [2009]), 2012’s Captive (also referred to as Captured) is loosely based on the true story of an accidental kidnapping of a group of holiday makers and missionaries in the Philippines in 2001. Continue Reading
★☆☆☆☆ The comedy feature debut from Aussie born director Boyd Hicklin, Save Your Legs! (2013) is an odd choice for a festival film, even if it is categorised under ‘Laugh’ in the new London Film Festival groupings, where it will undoubtedly find few friends on the festival circuit. Edward ‘Teddy’ Continue Reading
★★★☆☆ Michel Gondry’s London Film Festival select The We and the I (2012) is the product of a recent after-school program the French filmmaker coordinated, taking the lessons learnt and ideas that were formed from these workshops to create a fascinatingly naturalistic insight into the lives of a varied cross Continue Reading
CineVue has teamed up with American Express to offer THREE lucky people the chance to win a pair of tickets to a screening of Jacques Audiard’s hotly anticipated Rust and Bone on Saturday 13 October at Odeon West End, 8:15pm as part of the 56th BFI London Film Festival. Put Continue Reading
★★☆☆☆ Issue movies are always problematic. It is rare that the cause that they champion is not an important and worthy one, but their very nature mean that the art of storytelling and the creation of drama can often play second fiddle to making their point. This is absolutely the Continue Reading
★★★☆☆ LFF entry Laurence Anyways (2012) is Québécois director Xavier Dolan’s third full-length feature. Renowned for his exquisite visual style and sumptuous cinematography, there’s always been the feeling that Dolan is something of a cinematic narcissist, far more concerned with proving his technical ability than presenting a truly absorbing story Continue Reading
★★★★★ Winner of the coveted Palme d’Or prize at this year’s Cannes Film Festival, Michael Haneke’s heartbreaking Amour (2012) makes its UK debut in LFF’s newly created ‘Love’ strand this week. A minimalistic masterpiece of quiet majesty, Haneke has once again confounded his naysayers by creating a film of genuine Continue Reading
★★★☆☆ Back in 1998, Danish filmmaker Thomas Vinterberg (with the aid of an inflammatory script from enfant terrible Lars von Trier) shook up the cinematic establishment with Festen (The Celebration), an uncompromisingly raw depiction of a bourgeois dinner party gone horrendously wrong after a series of shocking, child abuse-related revelations. Continue Reading
★★★★☆ Let’s assume for a moment that you’ve seen Stanley Kubrick’s The Shining. A hauntingly, intense horror with stunning cinematography and a career defining performance by Jack Nicholson. But is this 1980 classic actually Kubrick’s admittance to directing the fake moon landing? Or is it born from his obsession with Continue Reading
★★★★☆ Matteo Garrone’s Palme d’Or nominated and Grand Prix winning Reality (2012) appears in the ‘Debate’ strand of this year’s London Film Festival, with this divisive, blackly comic parody about our celebrity obsessed milieu certain to divide audiences. The camera descends from the heavens and falls like a leaf, presenting Continue Reading
★★☆☆☆ Jee-woon Kim and Pil-Sung Yim’s portmanteau film Doomsday Book (2012) started production in 2006 when the first two segments of the piece were complete. Fortunately – or perhaps unfortunately – a year later the directors were able to raise funds for the third part of the anthology of shorts. Continue Reading