CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ One of numerous films to make its way to London from the Cannes, Alex van Warmerdam’s Borgman (2013) is the darkest of dark horses: an obsidian black comedy with a surreal and genuinely vicious ‘eat the rich’ ethic that might just pinch a prize. The film opens with a Continue Reading
★★☆☆☆ Following on from Baz Luhrmann’s tipsy take on F. Scott Fitzgerald’s Jazz Age classic The Great Gatsby, actor/director James Franco offers Cannes the second major literary adaptation from a canonical American author. Adapted faithfully by Franco himself from William Faulkner’s novel, As I Lay Dying (2013) tells the tale Continue Reading
★★★★★ American director J.C. Chandor first made a name for himself with 2011 talkathon Margin Call, which strove to present the 07-08 financial crisis to us as if we were, “a small child, or a golden retriever”. His follow-up film, All Is Lost (2013) – screening out of competition at Continue Reading
★★★☆☆ Following the success of Un Certain Regard favourite Drive back in 2011, Danish director Nicolas Winding Refn returns to the Croisette with Only God Forgives (2013), a stylish if ultimately shallow essay in extremism. Julian (Ryan Gosling) is a Muay Thai boxing club owner and drug dealer living in Continue Reading
★★☆☆☆ “Vive la révolution!” No single culture betters leftist subculture than the aged liberals of France. Many would refer to it all as misguided historic romanticism. But there are those like Olivier Assayas where their movies echo an intrinsic disconnection with conservative oppression. Assayas’ semi-autobiographical opus, Cold Water (1994), delved Continue Reading
★★☆☆☆ Little do the oversized world of galumphing humans realise that living in our forests are legions of tiny ‘Leafmen’, in armour, protecting the natural world from the evils of decay. Under the benevolent rule of a magical queen, this ancient race maintains balance by keeping in check their marauding Continue Reading
★★★☆☆ Mahamat-Saleh Haroun’s latest feature, Cannes contender Grigris (2013), recounts a tale of hope against despair in the director’s native African country of Chad. It tells the story of the titular Grigris (played by Souleymane Deme), a young man whose ambition is to be a dancer despite having a paralysed leg. Continue Reading