CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★☆☆ The critical success last year of Miguel Gomes’ Tabu (2012) and fresh appreciation for the works of Pedro Costa and Raoul Ruiz has seen Portuguese cinema quietly re-introducing itself on the festival circuit. Continuing this trend, João Pedro Rodrigues and João Rui Guerra da Mata’s The Last Time I Continue Reading
★★★★☆ An exotic thriller ensnared within a Lynchian nightmare of confused identities, Joe Lawlor and Christine Molloy’s follow-up to Helen (2008), Mister John (2013), is a physically and emotionally draining tale of grief, rejection and the yearning to reinvent oneself. When Gerry Devine (Aidan Gillen) hears of the tragic news Continue Reading
★★☆☆☆ Screening in Europe for the first time at this year’s Edinburgh Film Festival, Scott McGehee and David Siegel’s What Maisie Knew (2012) is a twee tale of divorce told through the eyes of a seven-year-old child. Maisie (Onata Aprile) is the precocious yet lovable daughter of faded rocker Susanna Continue Reading
★★★☆☆ Chronicling the daily rigmarole within a German crematorium, Thomas Heise’s Consequence (Gegenwart, 2012) is a muted observation of a process many of us know very little about. Considerate, yet in no way eulogising of the dead, Heise’s clinical documentary often manages to evoke a rather confusing sense of joie Continue Reading