Month: February 2014

★★★★☆ Jim Mickle’s We Are What We Are (2013) – his follow-up to blood-soaked vampire drama Stake Land (2010) – is so convincing that it almost makes the case for the horror remake as a viable, rich art form in and of itself. Not only is it a much better Continue Reading

★★★☆☆ Action movies are typically a young man’s genre but an older man’s game. The real tough cookies have been thickened by years of experience, driven to solitude by guilt, and are embittered by the system they have operated in for too long. At the age of 61, Liam Neeson Continue Reading

★★★★★ Stanley Donen’s Funny Face (1957), like the industry it so wittily satirises, is beguiling, effortlessly stylish and always in vogue. This evergreen classic receives a timely rerelease from Park Circus this week, coinciding conveniently with the bi-annual fashion circus currently making its way around the clothing capitals of the world. Continue Reading

★★★★☆ Metal’s reputation has tolerated the most unfounded social clichés. Hackneyed variations of ink-coated sweat-riddled aggressors lacking in any emotion other than sightless rage. However, an ongoing throng of documentaries – including Don Argott’s As the Palaces Burn (2014) – have sought to disassemble this prescribed pigeonholing by pinpointing metal’s Continue Reading

★★★★☆ A landmark work in the lexicon of 1970s art film, Federico Fellini’s highly venerated opus Roma (1972) arrives in a pristine restoration as part of Eureka’s Masters of Cinema series, giving it the Blu-ray treatment it deserves. Coming after perhaps his most notable works La Dolce Vita (1960) and Continue Reading

★★★★☆ Don Siegel was one of the key directors in the undervalued period of American cinema that took place just before the New Hollywood palette cleanser. His 1964 effort The Killers is pure pulp bliss; a testosterone-driven comic book noir that simmers with violent intent. It’s the second Hollywood adaptation Continue Reading

★★★★☆ History tells us that the neophyte directors who emerged in sixties France made films that challenged the established aesthetic tradition. It forgets to tell us about a director like Claude Sautet, whose hard-nosed thriller Classe Tous Risques (1960) was thrust into almost immediate obscurity by the formal insouciance of Continue Reading

★★★★☆ What did the “Lubitsch touch” look like before it was the “Lubitsch touch”? There are plenty of clues in this welcome reissue of Masters of Cinema’s Lubitsch in Berlin box set, subtitled Fairy-Tales, Melodramas, and Sex Comedies – an indication of the thematic breadth of the German American director’s Continue Reading

★★★☆☆ In 1994, the late Antonia Bird paired up Linus Roach and Robert Carlisle for Priest (1994), the tale of a Catholic priest torn between the church and his homosexuality. Now, another female director, Malgorzata Szumowska tackles the same subject but from a different social perspective. In the Name Of Continue Reading

★★★☆☆ There’s something about the films foraged from the extensive BFI archives which makes the viewer hanker after a Britain which no longer exists. Their latest volume, The Driving Force, featuring various British Transport Films from the 1950s through to the 1980s, is a case in point. The fourteen documentary Continue Reading