CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★☆☆☆ Screening in the Orizzonti sidebar of the Venice Film Festival, Michele Alhaique’s gangland romance Senza Nessuna Pietà (2014) is a slickly made yet brutally clichéd piece of implausible and ultimately inconsequential nonsense. Mimmo (Pierfrancesco Favino) is a construction worker who sidelines for his criminal uncle collecting debts and roughing Continue Reading
★★★★☆ A tubercular nightmare vision of war in all its bloody ferocity, Tetsuo (1989) director Shin’ya Tsukamoto’s Fires on the Plain (2014) stormed into competition at Venice with a loud and frankly mad rush to seize its objective, regardless of the cost. Shot through with the same élan that saw Continue Reading
★★★★★ If The 400 Blows (1959) constituted the songs of innocence for Antoine Doinel, then Stolen Kisses (1968) and Bed & Board (1970) make up his songs of experience. Made in relatively quick succession almost a decade after director François Truffaut’s iconic debut, they found Jean-Pierre Leaud’s hero mired in Continue Reading
★★★★☆ With a title like Next Goal Wins (2014), you’d be forgiven for thinking that British filmmakers Mike Brett and Steve Jamison’s debut documentary is all about the beautiful game – but you’d be wrong. At the centre of the story are the players who belong to the worst football Continue Reading
★★★☆☆ In Sandra Nettelbeck’s wistful romance Mr. Morgan’s Last Love (2013) Michael Caine plays Matthew Morgan, a retired American professor living in Paris several years on from the death of his wife (Jane Alexander). A lonely grief-stricken man, Matthew wanders the city, eating his usual fussily ordered sandwich, visiting his Continue Reading