Toronto 2014: ‘The Duke of Burgundy’ review

★★★★☆ With his first two features, Katalin Varga (2009) and Berberian Sound Studio (2012), British auteur Peter Strickland has made a name for himself by exploring exploitation genres – the revenge thriller and Italian giallo – with a meticulous and innovative eye. His attention turns to seventies European erotica in Continue Reading

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