★★★★★ Cinema is a form that forgets its relative youth at times, for that explanation is what can only be reasoned why Francesco Rosi is not remembered in the way he should be outside of his native Italy. Hopefully, this […]
★★☆☆☆ David Cronenberg has had a tough time of late. Though his last two efforts, A Dangerous Method (2011) and Cosmopolis (2012), arguably lacked the shocking cut and thrust of his most visceral outings, they were both far from abject […]
★★★★☆ There’s a certain suspicion about hieroglyphic documentary portraits of individuals of a generational span (the enjoyable Supermensch springs to mind), but The Last Impresario (2013) constantly surprises both by what it is and what it’s not. Gracie Otto (sister […]
