★★★★☆ A celebration of craftsmanship and the creative process, legendary animator Hayao Miyazaki’s mooted swansong, The Wind Rises (2013), examines the delineation between truth and beauty, questioning whether you can separate cause and effect when it comes to the work of an artist. Unlike much of Ghibli’s oeuvre, The Wind Continue Reading
★★★★★ The collective disaffection expressed by the geek contingent when it was revealed that Frank Darabont was exiting as showrunner on The Walking Dead during the show’s second season proved ultimately redundant. The show has only grown in reputation and quality since his departure and now the fourth season makes Continue Reading
★★☆☆☆ “Show, don’t tell” goes the old screenwriting adage. In the case of some avant-garde cinema, however, certain filmmakers don’t even attempt to show, leaving the audience to deduce their own meaning from the images and words on-screen before them. This is certainly the case with Floating Skyscrapers director Tomasz Continue Reading
★★★☆☆ “The nipples to itch, the scrotums to tighten, the pricks to rise, the mount of Venus to swell…” goes the piquant promise of British auteur Peter Greenaway’s latest, Goltzius and the Pelican Company (2012). Bare bodies rotate around static, inactive camerawork. Baroque theatrics smudge over Renaissance architecture. Garish monologues Continue Reading