★★☆☆☆ Take care to not place too much hope into the misery-inducing yet somehow star-studded caper Kidnapping Freddy Heineken (2015). It’s a head-scratcher of a flick if only for the fact that viewers will spend the duration of the film wondering what precisely caused Anthony Hopkins to sign on as Continue Reading
★★★☆☆ There’s often an unfortunate tug-of-war going on beneath the surface of films made primarily with a social agenda in mind and by those who care deeply about the subject. Taking 2013’s No Fixed Abode as an example, its cause – highlighting issues surrounding homelessness – was an admirable one, Continue Reading
★★★☆☆ Even for a Nazi, Heinrich Luitpold Himmler was a monumentally unattractive person. With his pencil neck, his weak watery eyes, his Touché Turtle expression of prissy blandness, a less convincing example of Hitler’s theories of racial superiority would be difficult to find. That this apparently feeble specimen could wreak Continue Reading
★★★★☆ There’s a precipice that lies just out of frame throughout James Napier Robertson’s absorbing drama, The Dark Horse (2014). It represents different things to different characters, but they are all skirting its edge precariously, lending an air of danger to what is ostensibly a conventional underdog/mentorship story. Inspired by Continue Reading
★★★★★ Ridley Scott’s seminal sci-fi Blade Runner (1982) begins with a dazzling yet hellish vision of a metropolis shrouded in smog so thick that the sun has disappeared from the sky. Is it day or is it night? Giant towers of industry belch fire and pyramid-like structures sit like thrones Continue Reading
★★★☆☆ The central victory of Ron Mann’s fond portrait of the maverick American filmmaker Robert Altman is how personal he manages to make it. For a documentary about a director with such a strong authorial voice, it seems only fitting that Altman (2014) is largely narrated by the man himself Continue Reading
