CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ The libertine rationalism of pre-revolutionary France is fed to the lions in Albert Serra’s strange and transfixing Story of My Death (2013). A low-lit union of bloody thighs and throats, it plucks two infamous seducers from the annals of history and literature and uses them to metaphorically wander through Continue Reading
★★★★☆ Both of the following are true: Jupiter Ascending (2015) is a giddy, sweeping adventure filled with interesting characters and stunning visuals; Jupiter Ascending is a frustrating experience, filled with dead ends, vanishing subplots and too much exposition. Perhaps, coming from the perennially ambitious brother and sister duo Andy and Continue Reading
★★★★☆ These days there is such a rich offering of TV dramas that it can be hard to know what to watch and what not to. It can be difficult for new dramas to grab our attention, especially in world where shows like True Detective and Game Of Thrones dominate Continue Reading
★★★★☆ Boiling terror down to essentials can be a winning formula for horror films: the phone call in Scream (1996), or the video tape in The Ring (1998). Perhaps, the best example is John Carpenter’s 1982 remake The Thing, with its shape-shifting alien lurking amidst the blank spaces of Antarctica. Continue Reading
“Have you cried as an adult?” My question to Ruben Östlund, the director of ice-cold Swedish black comedy Force Majeure (2014), is not as impertinent as it might appear. It’s a reference to a scene of his film in which patriarch Tomas (Johannes Kuhnke), on holiday with his family at Continue Reading
★★★☆☆ What could have easily been a glib provocation turns out to be rigorous examination of masculinity in crisis in the hands of Swedish director Ruben Östlund. Force Majeure (2014) tests the limits (or troughs) of masculinity in the post-liberal age, charting the effects of decades of progression and asks: Continue Reading
★★★★☆ Tales of impossible love and the trappings of fame and fortune have long been staples of Hollywood cinema. However, to accuse Gina Prince-Bythewood’s Beyond the Lights (2014), a romantic melodrama about the human price of stardom, of being derivative would be to ignore the significance of its message. A Continue Reading
“I love Curb Your Enthusiasm. I want to feel just as entitled as any rich, middle aged white man; that’s how entitled I want my protagonist to be.” Desiree Akhaven does not consider herself to be a political filmmaker. In her debut feature Appropriate Behaviour (2014), which she wrote and Continue Reading
★★★★☆ Joining the latest throng of female filmmakers baring their souls – and bettering their mainstream equivalents – through homegrown autobiographical independent films is the talented Desiree Akhavan, whose debut feature Appropriate Behaviour (2014) is something of a doyenne in the way it depicts an area of sexuality usually shied Continue Reading