★★★★☆ If you only know Eyes Without a Face (1960) from the Billy Idol rock ballad, then you are in for a treat. Georges Franju’s Gallic body horror is a complex atmospheric chiller which balances graphic shocks with subtle characterisation. A woman Louise (Alida Valli) drives through the French countryside Continue Reading
★★★★☆ “Heaven forbid if he ever comes back,” intones a village elder as Martin Lepiš, otherwise known as ‘Dragon’ (Radovan Lukavský), is led, restrained, into exile. This sequence is told in flashback to give context to the thick atmosphere of Eduard Grečner’s Dragon’s Return (1968). A brooding and mythic drama, Continue Reading
★★★★★ City Lights (1931) begins with a scene of splendour as the gathered dignitaries and the jubilant crowd attend the unveiling of a new monument, a group of statues personifying valour, industry and justice. As the nattering speeches finish and the veil is finally drawn a slumbering figure is revealed: Continue Reading
★★★☆☆ Commonly referred to as the ‘Father Knows Best Trilogy’, Ang Lee’s first three films are notable primarily as an introduction to key themes and his devotion to nuanced emotional drama. They also staved off the retirement of famous Taiwanese actor Sihung Lung. Almost a decade before his appearance as Continue Reading
★★☆☆☆ Alan Rickman’s second stint as director yields mixed results wrapped up in a stylish French bow, A Little Chaos (2014). It’s a beautiful effort but completely sophomoric in all its trappings. There is something inherently off-kilter while watching, the feeling that – despite an intriguing cast, gorgeous sets and Continue Reading
