★★★☆☆ Notions of marginalisation, responsibility and the ambiguities of nature versus nurture all collide in Antoine Cuypers’ handsome and austere feature debut, Préjudice. The film is built around enormously compelling performances from Thomas Blanchard and Nathalie Baye, as an antagonistic […]
★★★☆☆ What keeps running but never gets anywhere? This riddle is posed on a number of occasions during writer-director Jonas Selber Augustsén’s head-scratcher of a debut feature. Gym-goers may answer slogging away on a treadmill but the principle could just […]
★★★☆☆ The bold and deeply felt symbolism of Federico García Lorca’s famous matrimonial drama, Blood Wedding, makes it ripe for cinematic treatment. There are rich thematic veins to be opened in the writer’s text and his beguiling visual motifs are […]
★★★★☆ How do you solve a problem like Farah? Principled, articulate but pig-headed, she is the whirlwind around whom Tunisian director Leyla Bouzid builds her remarkable debut feature. As I Open My Eyes is set in a very specific time […]
The International Film Festival Rotterdam kicks off its 45th edition this evening with the world premiere of Dutch survival drama Beyond Sleep. Directed by Boudewijn Koole, it follows an ambitious geologist on a search for meteorites in Norwegian swampland. It […]
★★★★☆ Jean-Luc Godard’s first feature, Breathless starts as the director meant to go on. With an effortless Gallic cool, Jean-Paul Belmondo, a Gauloises dangling from his lip, hot-wires an American car and accelerates off at high speed. He breaks rules and dances […]
★★★☆☆ Gratuity is the watchword for Italian giallo cinema; blood, nudity and violence are all hallmarks of the genre. It is more than a little surprising, then, that Mario Bava’s Five Dolls for an August Moon is a rather tame […]
