Film reviews and more
Writer-director Rachel Tunnard and leading lady-executive producer Jodie Whittaker are a bubbly pair. Sparky personalities and the closeness of their long-term friendship imbues kooky British indie Adult Life Skills with a warmth, familiarity and humour. The […]
★★★★☆ Cinema may not seem like the natural medium to explore blindness. An art form dominated by images is surely ill-suited to the endeavour of trying to understand what it is like to be without sight. […]
★★☆☆☆ It’s been twenty years since the aliens invaded Earth in Roland Emmerich’s epochal Independence Day, and now they’re back to fulfil their world-destroying ambitions in its belated follow-up, Independence Day: Resurgence. While humanity has spent […]
★★☆☆☆ European middleweights Emma Watson, Daniel Brühl and Michael Nygvist form a strong foundation on which to build a semi-political historical thriller. Though Florian Gallenberger’s The Colony aims for the likes of Munich and Argo, it […]
★★★☆☆ It’s incredible to think that Absolutely Fabulous, the popular sitcom starring Jennifer Saunders and Joanna Lumley, ran from 1992-2012. Some twenty-five years after the TV pilot, the pair are back, this time on the big […]
★★★☆☆ Coming hot on the heels of his Palme d’Or triumph I, Daniel Blake, Louise Osmond’s biographical documentary of Ken Loach Versus: The Life and Films of Ken Loach couldn’t have been more timely and it […]
★★☆☆☆ Triple 9 is nothing if not muddled. Toplined by an all-star cast including Kate Winslet and Woody Harrelson, John Hillcoat’s latest is a messy and unsophisticated cop drama that quickly stumbles into a spiritless slumber. […]
★★★★★ ‘There never was a woman like Gilda‘, proclaimed the poster for Charles Vidor’s classic 1946 film noir, and indeed, the mark that Rita Hayworth’s character left on cinema is indelible. The woman who once sent […]
★☆☆☆☆ Don’t shoot the messenger. But the word on the wire at the Edinburgh Film Festival, where Meg Ryan’s Ithaca is making its UK premiere, doesn’t bode well for the actor’s directorial debut. Set in the […]
★★★☆☆ Its title may refer to an undeniably physical barrier but Tadhg O’Sullivan’s The Great Wall, the opening film at this year’s Open City Docs Festival in London, opts for a more transmutable definition of no […]
★★★★☆ “No body, no crime,” reads a note taken during a meeting involving Slobodan Milošević presented during Ognjen Glavonić’s Depth Two. It’s haunting not purely because of the powerful lingering effect of a statement of this […]
2016 has already been a real delight for the documentary connoisseur in the UK. The end of April saw the inaugural edition of the Frames of Representation festival which concentrates on films navigating the boundaries between […]
★★☆☆☆ Untangling the web of politics, sex, drugs and power that weave together crime families is a massive undertaking within film. Much like political dramas, we’ve been met with a myriad of crime family-related films over […]
★★★★☆ Can memories be trusted to document the past? Visual artist Omar Fast’s ambitious debut Remainder, an adaptation of Tom McCarthy’s eponymous novel questions the limitations of art as a tool to interpret history. Combining the […]
★★★★☆ Although Lorene Scafaria’s tender, bittersweet comedy The Meddler, starring Susan Sarandon and J.K. Simmons, is marred by the occasional cliché, it’s also an unexpectedly perceptive film about loneliness, grief and mother-daughter relationships. After the death […]