When there’s a monster on the loose, all manner of behaviour becomes reasonable. You can check under the bed each night, commandeer a vehicle or wield firearms: a state of emergency demands different rules. Such is the pleasing, unlawful logic of a creature feature.This is why Colossal, from Nacho Vigalondo, Continue Reading
The red carpet is being vacuumed, the Croisette prepped – new anti- terrorist bollards a grim reminder of the times – and a young Claudia Cardinale dances exuberantly above the Palais du Cinéma. Everything is almost ready for the celebration of the 70th Cannes Film Festival.The lineup is rich and Continue Reading
★★☆☆☆ Aside from a brief spell of rationing-enforced drought, torrents of the much fabled ‘water of life’ flow through Gillies MacKinnon’s Whisky Galore. It’s a shame that his latest feature – a remake of the Ealing classic – has none of the life-giving fervour of Scotland’s national drink.A dry and Continue Reading
★★★★☆ Alex Taylor’s Spaceship makes no bones about its American arthouse influences. In transporting the acclaimed pairs’ teenage wasteland visions of America to Aldershot, Taylor’s creative gambit could have been a move fraught with the perils of imitation.Yet there is imagination and poetry all its own making, in Spaceship. It’s Continue Reading
★★★★★ This heartbreaking film by Sophia and Georgia Scott follows four Syrian refugees as they struggle to rebuild their lives in Lebanon. Syria’s neighbour has had to cope with a massive influx of refugees – Lebanon’s population of 4.4 million now comprises 1.5 million Syrians.Lost in Lebanon was shot in Continue Reading
★★★☆☆ Some films manage to generate a sense of grandeur on a shoestring budget, whilst others somehow feel like indie flicks no matter how much money is thrown at them. In the case of Nacho Vigalondo’s Colossal, there’s a strange mix of both post-viewing impressions.Colossal is one part indie slacker Continue Reading
