CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ Ali Abbasi’s sophomore feature Border is a folkloric movie on monstrous love and what it means to be human. Not so much Beauty and the Beast as Beast and the Beast, Border is one of those films that almost from the first shot makes you feel you are in safe Continue Reading
★★★☆☆ French writer and director Christophe Honoré’s Sorry Angel, a drama of gay love in early-nineties Paris, is a meandering, novelistic piece that manages to be perfectly fine without ever really being great. The new film from Honoré – miserably titled Sorry Angel in English – begins with a startling Continue Reading
★★★★★ Oscar-winning Polish director Pawel Pawlikowski (Ida, My Summer of Love) enters the front-running for the Cannes Palme d’Or with his new film Cold War, a beautifully composed tone poem to doomed love in Cold War Europe. Less is most definitely more in Cold War. Using the same academy ratio Continue Reading
★★★☆☆ There is the uncanny sense of art imitating life in Eric Styles’ poignant, end of life drama, featuring John Hurt’s swansong. That Good Night is about a man dealing with his impending death and Hurt was himself terminally ill when the film was shot. Ralph Maitland (Hurt), an egotistical Continue Reading
★★★☆☆ A tense thriller inspired by true events, Entebbe explores one of the most daring hostage rescue missions ever attempted, and by combining vivid historical details with suspense, it is a powerful depiction of an international crisis that shook the world. Set in the summer of 1976, an Air France Continue Reading