Czech100: Our picks of the festival
To mark the centenary of the Czech Republic’s independence, the Czech100 Festival runs from 28 October to the 9 December, a celebration of Czech...
Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
★★★★☆ Having won the Jury Prize in 2013 for Like Father, Like Son and the Palme d’Or in 2018 with Shoplifters, Cannes favourite and Japanese director Hirokazu Kore-eda returns with Monster, a masterful work of intricate storytelling, complemented by a lovely score by the late Ryuichi Sakamoto.
★★★★★ Theodor Adorno famously wrote that poetry was not possible after Auschwitz, but is cinema? Billy Wilder certainly thought so, getting footage from the camps as evidence as much as anything else. Steven Spielberg, Claude Lanzmann, Alain Resnais and Roberto Benigni have all with differing degrees of success tried their hands.
To mark the centenary of the Czech Republic’s independence, the Czech100 Festival runs from 28 October to the 9 December, a celebration of Czech...
★★★★★ Hong Kong megastar Jackie Chan is as prolific as they come – last year alone, the 64-year-old had eight acting credits to his...
★★★★☆ Too Late to Die Young, the third feature from Chilean filmmaker Dominga Sotomayor Castillo, is a tale of growing up in a commune...
★★★☆☆ Shot in muted black and white, South Korean director Hong Sang-soo’s Hotel by the River lets two stories – one about a poet getting ready to die and...
With the 20th edition of the Jio MAMI Mumbai Film Festival with Star well underway, film professionals and cinema lovers flock to theatres across...