Berlin 2019: Öndög review
★★★★☆ A beguiling drama laced with dry humour and lashings of spiritualism, Wang Quan’an’s Competition entry Öndög possesses a mysterious grandeur that should ensure it […]
★★★★☆ A beguiling drama laced with dry humour and lashings of spiritualism, Wang Quan’an’s Competition entry Öndög possesses a mysterious grandeur that should ensure it […]
★★★☆☆ Following in the footsteps of Adina Pintilie’s controversial Golden Bear winner Touch Me Not, Marius Olteanu’s Monsters is a tragic saga that explores the […]
★★★★☆ Fourteen, the follow-up to former Los Angeles Reader film critic Dan Sallitt’s incest drama The Unspeakable Act, is a subdued drama about a friendship […]