Toronto 2019: Love Me Tender review
★★★☆☆ Tackling issues of mental health and trauma, Swiss-Peruvian director Klaudia Reynicke’s second feature is a strange, charming and occasionally confusing journey into isolation. Love […]
Venice 2019: The Domain review
★★★★☆ Tiago Guedes’ latest The Domain dissects a wealthy Portuguese family in the second half of the 20th century as a libertarian young patriarch struggles with duty, […]
Toronto 2019: Maria’s Paradise review
★★★☆☆ Zaida Bergroth’s fifth feature is based on the real-life exploits of Maria Åkerblom’s Finnish cult. Although its analysis of the nature of devotion and […]