★★★★☆ Inspired by Robert Bresson’s Au Hasard Balthazar, veteran Polish filmmaker Jerzy Skolimowski’s latest is a darkly comic and moving fable about a wayward donkey living through fate’s tender mercies. EO is at once a cinematic curiosity, a compelling drama and a harrowing portrait of cruel whimsy.
★★★★☆ American director Darren Aronofsky has made a career out of exploring individuals who are physically and psychologically self-destructing in the throes of obsession. It could be the relationship between the diameter and circumference of a circle; building a boat to avoid a genocidal flood; ballet or wrestling; drugs or food.
★★★★★ Documentary filmmaker Alice Diop’s (We, La Permanence) first narrative feature Saint Omer is a major achievement and an investigation into motherhood, judgment and the other. Kayije Kagame plays Rama, a university professor and writer who is working on a new book.
★★☆☆☆ After his girlfriend is killed in a brutal attack, former boxer and paramedic Jan (Milan Ondrík) falls into profound despair. Exploring themes of guilt, masculinity and justice, boxing-inflect crime film from Slovakian director Peter Bebjak shows much promise, but fails to coalesce into a coherent vision.
★★★☆☆ Bulgarian documentarian Andrey Paounov turns his hand to fiction in this adaptation of Yordan Radichkov’s 1974 play. January is an intriguing, eerie, ponderous narrative set entirely within the confines of a forest cabin. Religious allegories, monochrome photography and folk horror trappings ensue.
★★☆☆☆ Steven Spielberg’s The Fabelmans had all the ingredients to ascend as cinema’s new darling. Yet, as this semi-autobiographical film plods on, there is an unshakeable sense that in reaching for the stars, The Fabelmans instead lands somewhere more mediocre and disappointing.
This sophomore effort from Hong Khaou stars Henry Golding as Kit, a British Vietnamese man returning to his birth-land for the first time to scatter his parents’ ashes. Monsoon sketches the geographical and emotional contours of such a journey, steering between the cacophonous traffic of Ho Chi Minh and the restless, internal tides of memory and mourning.