★★★★☆ A major contributor to the reverential narrative of wistful cinema, Giuseppe Tornatore’s magnum opus Cinema Paradiso is an elegant distillation of the form’s escapist qualities and the garland of an industry that understands global audiences’ enduring appetite for wild […]
It’s often been said that birds of a feather, flock together. That might not always be true when it comes to business but the entertainment industry worldwide is an exception to the status quo. Cinema, mostly made in Hollywood with […]
★★☆☆☆ In 2018, a quiet 15 year-old girl from Sweden began protesting the climate crisis by striking from school. Amidst global disquiet and political inertia, Greta Thunberg rapidly became the face of contemporary climate activism. In his directorial debut, Nathan […]
★★★★☆ This year’s surfeit of films about cults hits its stride with Malgorzata Szumowska’s first English-language picture. A visceral, Atwoodian journey, The Other Lamb is as much an examination of narcissism and the existing structures of gendered power as it […]
★★☆☆☆ Sheridan Le Fanu’s Carmilla is among the most influential horror stories ever written. Director Emily Harris’ de-fanged adaptation follows plenty of other versions of the novella, zeroing in on the ‘lesbian vampire’ aspect, but the result is deathly dull. […]
★★★★☆ Charting the production of Roy Andersson’s latest and possibly final film, About Endlessness, documentarian Fred Scott explores in his first feature the career of one of Sweden’s most beloved and singular filmmakers. The result is an affectionate and often […]
★★☆☆☆ “Your cock and your words fill me with joy.” Crass to the point of being offensive, these lyrics – from one song of the soundtrack to Gold for Dogs – effectively sum up this deplorable coming-of-age debut feature. Nonsensical […]
★★★★☆ Set in a small village on the Czech-Austrian border, and spanning fifteen years pre, during and post-Second World War, Bohdan Sláma’s Shadow Country is a monumental piece of filmmaking. Simultaneously an historical allegory of tremendous scope and a claustrophobic, […]
★★★★☆ Bloody Nose, Empty Pockets’ vérité style belies a quasi-staged reality that challenges the distinction between fiction and documentary, studying the stories we tell ourselves to make sense of the world. Shot over the course of a single night, Bloody […]
★★★★☆ Positing the question of whether the principal objective of incarceration is punishment, rehabilitation or undue persecution, Garrett Bradley’s Time is another vital addition to a growing canon of films to pointedly critique the US legal and prison systems’ unjust […]
★★★★☆ No one’s parents are perfect. But in Miranda July’s Kajillionaire, Robert (Richard Jenkins) and Theresa (Debra Winger) really push the limit of what any child should have to put up with. Or rather, do without. Stepping back behind the camera for […]
★★★★☆ Director Rose Glass makes her feature debut with this visceral psychological horror. While the festival chatter has lately been dominated by Gotham’s most notorious villain, Saint Maud is the dive into obsession, isolation and urban deprivation that you need right now. […]
