Film reviews and more
★★★★☆ Building bridges between the past, present and future of three Latinx teens in El Paso, Texas, Maisie Crow’s At the Ready investigates one of the US’s most contentious domestic issues – immigration across its southern border – from an […]
★★☆☆☆ Jakub Piątek’s Prime Time is a claustrophobic chamber piece set in Warsaw on New Year’s Eve, 1999. Bringing his narrative feature debut to Sundance in the World Cinema Dramatic Competition, the Polish writer-director harks back twenty years to an age of VHS tapes, […]
★★★★☆ “This is a war room. I am here for a fight.” Under no illusion as to the scale of the task at hand, the deck is stacked against leader of the Movement for Democratic Change party and presidential candidate, […]
★★★☆☆ A daredevil activity that for most would be considered the stuff of nightmares has, for diver and marine conservationist Valerie Taylor, been a lifelong passion. Dispelling myths and challenging preconceptions that humankind has of the ocean’s ancient selachian inhabitants, […]
★★★☆☆ Try as she might to refute any suggestions of prophecy, Iuli Gerbase’s The Pink Cloud will strike very close to the bone for audiences everywhere in early 2021. The young filmmaker’s debut is a dreamy, claustrophobic vision of modern […]
★★★☆☆ When is a house not a home? And how thinly stretched are the ties that bind together the people within their walls? Ronny Trocker’s Human Factors, a patient, brooding drama, peers through cracks in the brickwork of a family […]
If the past year has taught cultural institutions the world over anything, it’s that the show can and must go on. The continuing Covid-19 pandemic means that the 2021 Sundance Film Festival will be – predominantly – a digital experience. […]
★★★☆☆ Blending science fiction, crime drama and psychedelia, Synchronic is the wildly eccentric fourth film by American filmmaking duo Justin Benson and Aaron Moorhead (The Endless, Spring). New Orleans paramedic team and best friends Steve (Anthony Mackie) and Dennis (Jamie […]
★★★☆☆ Cinema has a love/hate relationship with Truman Capote. On the evidence of The Capote Tapes, almost everyone did. Breakfast at Tiffany’s – a slim novella a cigarette holder away from plagiarising Christopher Isherwood’s Goodbye to Berlin – was made […]
★★★★☆ Beginning is, in many respects, an astonishing film in its assured austerity, confidence and evident lack of compromise. More astonishing, perhaps, that it is Georgian director Dea Kulumbegashvili’s debut feature. There are hints of Kiarostami, Bergman and even Tarkovsky […]
★★★★☆ American filmmaker Ryan White, director of the acclaimed Netflix mini-series The Keepers, spins a web of riveting, murderous intrigue in his latest documentary Assassins. At its centre lies the killing of Kim Jong-nam at Kuala Lumpur International Airport on […]
Although 1942’s Casablanca was an A-list picture with major stars like Humphrey Bogart and Ingrid Bergman, no one involved with its production thought it would be anything more special than the hundreds of other movies Hollywood was producing that year. […]