
Sundance 2021: Sabaya review
★★★★★ “Daesh [ISIS] feel they have the right to use sabaya girls as personal slaves. To rape them and sell them.” The horrors of life […]
★★★★★ “Daesh [ISIS] feel they have the right to use sabaya girls as personal slaves. To rape them and sell them.” The horrors of life […]
★★☆☆☆ Jakub Piątek’s Prime Time is a claustrophobic chamber piece set in Warsaw on New Year’s Eve, 1999. Bringing his narrative feature debut to Sundance in the […]
★★★★☆ “This is a war room. I am here for a fight.” Under no illusion as to the scale of the task at hand, the […]
★★★★☆ Alex Camilleri’s Luzzu charts a course between the dispassionate neo-realism of the Dardenne brothers and Gianfranco Rosi’s keen but objective documentarian eye. It is […]
★★★★★ Recalling the moment she walked out on stage and looked upon the assembled crowd of thousands at the Harlem Cultural Festival in 1969, Mavis […]
★★★☆☆ A daredevil activity that for most would be considered the stuff of nightmares has, for diver and marine conservationist Valerie Taylor, been a lifelong […]
★★★☆☆ Try as she might to refute any suggestions of prophecy, Iuli Gerbase’s The Pink Cloud will strike very close to the bone for audiences […]