Glasgow 2021: Wildland review
Advertisements ★★★☆☆ Ostensibly a remake of David Michôd’s outstanding 2010 film Animal Kingdom, Jeanette Nordahl’s Wildland transposes the action of a Melbourne crime family’s...
Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
★★★★☆ Having won the Jury Prize in 2013 for Like Father, Like Son and the Palme d’Or in 2018 with Shoplifters, Cannes favourite and Japanese director Hirokazu Kore-eda returns with Monster, a masterful work of intricate storytelling, complemented by a lovely score by the late Ryuichi Sakamoto.
★★★★★ Theodor Adorno famously wrote that poetry was not possible after Auschwitz, but is cinema? Billy Wilder certainly thought so, getting footage from the camps as evidence as much as anything else. Steven Spielberg, Claude Lanzmann, Alain Resnais and Roberto Benigni have all with differing degrees of success tried their hands.
Advertisements ★★★☆☆ Ostensibly a remake of David Michôd’s outstanding 2010 film Animal Kingdom, Jeanette Nordahl’s Wildland transposes the action of a Melbourne crime family’s...
Advertisements ★★★☆☆ Whether you’re completely lost or simply taking the scenic route, coming-of-age stories tend to be just as much about the journey as...
Advertisements ★★★★☆ In the opening moments of Fanny Liatard and Jérémy Trouilh’s Gagarine, news footage from the early 1960s shows Russian cosmonaut Yuri Gagarin...