★★★★☆ Romanian director Cristian Mungiu’s first film in six years, R.M.N. is a multi-faceted, oft-bleak, and occasionally surreal portrait of racism and toxic masculinity in Romanian society. In its depiction of a part of Europe struggling to keep up with neoliberalism, R.M.N exposes the dark mirror of liberal, globalised western European metropolitanism.
★★★★☆ An acerbic social satire, Chilean filmmaker Sebastián Silva’s latest reflects a cultural malaise rooted in cultural ennui. More than a casual swipe at modern social trends, Rotting in the Sun exposes a kind of cruelty, alienation, and social stratification that is only as modern as the technology through which it expresses itself.
★★★☆☆ Chilean director Pablo Larraín has made the treatment of the great, the famous and the powerful his topic of preference, eschewing the lower end of the social scale that first made him famous with films such as Tony Manero and Post Mortem. Nothing has quite gone as far as El Conde, however.
★★★★★ Childhood friends Na-Young (Greta Lee) and Hae-Sung’s (Yoo Teo) young lives are irrevocably changed when Na-Young’s family emigrate from South Korea to Canada, until the pair reconnect twelve years later. Past Lives, a film about love, friendship and fate, is an astonishing debut from South Korean-Canadian director Celine Song.
★★★★☆ Within the first five minutes of Matthew Heineman’s The First Wave, an elderly man is told “I love you, baby” by his wife via a jittery FaceTime call, goes into arrest, is brought back by a team of medics and then, suddenly, flatlines. It’s March 2020, and this same story will play out with alarming regularity.