CineVue

Film reviews and more

Month: May 2022

Cannes 2022: Crimes of the Future review

★★★☆☆ David Cronenberg first made Crimes of the Future in 1972. It was a disturbing account of a plague that killed all sexually mature women. It was transgressive, low-budget, and shocking. Now, with a reputation built over half-a-century of work, Cronenberg has returned to the scene of his Crimes… with an A-list ensemble in tow.

Cannes 2022: Aftersun review

★★★★★ Parents are normal people too. They might not seem it but once you have a kid, you become a care provider, a hotelier, a therapist, a nurse, a taxi driver, a chef and a thousand other things. You become mum or dad and the idea that you too might have a life – an internal life – is something that shrinks, even shrivels.

Cannes 2022: Triangle of Sadness review

★★★★★ If there’s one criticism of Ruben Östlund’s Palme d’Or-winning The Square, it’s that his satire wasn’t so much shooting fish in a barrel as nuking a pod of whales in a glass of water. The art world is full of self-obsessed poseurs? You don’t say. His new film, Triangle of Sadness, begins with a series of riffs on how vacuous the world of high fashion is.

Cannes 2022: Corsage review

★★★★☆ Royalty. Can’t live with them. Can’t stop making films about them. If it isn’t The Queen or the Netflix series The Crown, it’s Spencer. And now Marie Kreutzer’s new film Corsage puts on the crown with a spirited and witty take on Empress Elisabeth of Austria – better known in Europe as Sissi.

Cannes 2022: Armageddon Time review

★★★★☆ James Gray is one of those American filmmakers who – like Jerry Lewis – enjoys much greater critical acclaim in France than in his home country. Unlike Jerry Lewis, the French have a point. Whether it’s the neo-noir of We Own the Night or the ménage à trois of Two Lovers, Gray has managed to pursue an intensely personal vision through a range of genres.

Film Review: Benediction

★★★★☆ Terence Davies’ first feature since 2016 is a moving biopic of the war poet Siegfried Sassoon: an anti-war film in the sense that we never see the conflict, yet its traumas echo throughout the life of its protagonist. Amidst the horrors of the Great War, army lieutenant and poet Siegfried Sassoon (Jack Lowden) petitions to end the bloodshed.

Cannes 2022: Final Cut review

★★★☆☆ There’s something fitting about a zombie movie remake. To paraphrase Vic Reeves, “You wouldn’t let it die”. And if you’re going to remake a zombie film, why not pick one of the best of recent years. That seems to be the thinking behind Michel Hazanavicius’ Final Cut, a zom-com that faithfully replays Shinichiro Ueda’s One Cut of the Dead, which made a crimson splash in 2017.

Cannes 2022: Our picks of the festival

The Croisette is teeming, the red carpet has been unrolled, and the ticket system is up the spout. In other words, Cannes is back. After the Covid-inflected – if not infected – July 2021 version, there is a sense of renewal as the film industry bounces back with the blockbuster delights of Top Gun: Maverick and a familiar roster of auteur talent.

Sin City’s finest: The best Las Vegas movies

Las Vegas is one of the most popular tourism destinations in the world. What draws most people to the city, is the developed and world famous gambling culture that permeates the city. Some of the grandest, most luxurious casinos in the world can be found in Vegas, which makes it a safe haven for gamblers, experienced and wet behind the ears, alike.

Film Review: Vortex

★★★★★ Dario Argento and Françoise Lebrun star as an elderly couple suffering through dementia and ill health in Gaspar Noé’s latest outing, Vortex. The Argentinian director’s follow up to 2019’s Lux Æterna is a typically difficult watch, subjecting us to the grinding indignities of old age, but it also a deeply moving study of lifelong love and loyalty to the bitter end.