★★★★☆ If there has been a characteristic that sums up this 75th edition of Cannes, it has been that the festival has been small. Partly because of Covid still affecting the way films are produced – yachts seem to be half-staffed and worlds depopulated: cinema downsized. So it is fitting that one of the last films to screen in the competition is Kelly Reichardt’s determinedly minimalistic Showing Up.
★★★★☆ The better part of three decades since he conquered his intense feelings with rival pilot Iceman (Val Kilmer) and saved the day, hotshot ace Pete “Maverick” Mitchell (Tom Cruise) is called back into action for his most dangerous mission yet. Heading a hothead crew of recent Top Gun graduates, it’s time to fly into the danger zone once again.
★★★★☆ Co-directors Emil Benjamin and Brandon Jackson’s feature debut documents the Oceti Sakowin Oyate Nation’s protests – known commonly but erroneously as the Sioux Nation – against the infamous Dakota Access Pipeline. A patchy structure in the film’s first half eventually gives way to an animating depiction of struggle against colonial rule.