Cannes 2016: Elle review
★★☆☆☆ Usually when we say a movie is reminiscent of the seventies, we mean it has a certain high quality to it redolent of...
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★☆☆☆ Usually when we say a movie is reminiscent of the seventies, we mean it has a certain high quality to it redolent of...
★★★★☆ Following the Oscar-winning documentary Citizenfour, which recorded Edward Snowden blowing the loudest of whistles, Laura Poitras arrives in Cannes’ Quinzaine sidebar with Risk,...
★★★☆☆ Going to see a Brillante Mendoza film at the Cannes is an awkward experience. He’s been granted fairly regular festival berths both here...
★★☆☆☆ Nicolas Winding Refn – or NWR as he prefers to sign himself now – returns to Cannes with fashion world-based horror movie The...
★★★★☆ One of the leading lights of the Romanian New Wave, director Cristian Mungiu returns to Cannes with Graduation, a contemporary morality tale about...
★★☆☆☆ When Jean-Pierre and Luc Dardenne premièred Two Days, One Night at Cannes two years ago, they explained that it was their first western....
★★★☆☆ Personal Shopper sees former Twilight star Kristen Stewart continue her Cannes run with a bracingly mad little ghost story that reunites her with...
★★★☆☆ The first words that come to your mind after seeing a film by Pedro Almodóvar are usually ‘flamboyant’, ‘over-the-top’, or perhaps ‘fabulous’. His...