CineVue

Film reviews and more

Jamie Neish

Film Review: Fifty Shades Freed

Advertisements ★☆☆☆☆ The film series based on E.L. James’ ludicrously successful erotic novels draws to a close with Fifty Shades Freed. Dakota Johnson and Jamie Dornan return as Anastasia Steele and Christian Grey, respectively, now married, […]

Film Review: Coco

Advertisements ★★★★☆ Coco – Pixar’s first non-sequel film since 2015’s The Good Dinosaur – delivers heartwarming storytelling and eye-catching visuals, all the while honouring the power of family and music. It’s set during Dia de Los […]

Film Review: The Greatest Showman

Advertisements ★★★☆☆ Hugh Jackman returns to the musical after Australia and Les Miserables with The Greatest Showman, an uplifting if contrived film loosely based on the life of P.T. Barnum. It marks the directorial debut of […]

Film Review: Jumanji: Welcome to the Jungle

Advertisements ★★★☆☆ The original Jumanji was released at the height of Robin Williams’ career in the 1990s and offered adventure and escapism for the whole family. The same can mostly be said for its sequel, Jumanji: Welcome […]

Film Review: It

Advertisements ★★★☆☆ Argentinian director Andres Muschietti – the man behind the functional, passable Mama – takes the reigns on this new adaptation of Stephen King’s cult novel It, a horror about a clown who terrorises the […]

Film Review: England Is Mine

Advertisements ★★★☆☆ Oscar nominee Mark Gill directs this unofficial Steven Patrick Morrissey biopic, featuring Jack Lowden (last seen as a Spitfire pilot in Christopher Nolan’s Dunkirk) as the outspoken The Smiths frontman in the subdued years […]

Film Review: Captain Underpants

Advertisements ★★★★☆ Silliness abounds in Captain Underpants: The First Epic Movie, which hails from DreamWorks Animation, the studio that reaped massive success from their most recent children’s novel series adaptation How to Train Your Dragon (a […]

Film Review: Cars 3

Advertisements ★★★☆☆ In what is a marked improvement on its predecessor, Cars 3 – the final part of Pixar’s series about anthropomorphic automobiles – delivers dazzling visuals and an entertaining story, despite a spoon-feeding approach to […]

Edinburgh 2017: The Little Hours review

Advertisements ★★☆☆☆ It’s a who’s who of comedic talent in The Little Hours, which puts a modern spin on The Decameron, Giovanni Boccaccio’s collection of 14th century tales that is said to have inspired Chaucer and […]

Edinburgh 2017: Halal Daddy review

Advertisements ★★★☆☆ This culture clash comedy in the vein of late 1990s classic East Is East is warm-hearted, funny and light-footed. Raghdan (Nikesh Patel) lives in Sligo, where he moved from Bradford a few years ago […]

Edinburgh 2017: The Dark Mile review

Advertisements ★★☆☆☆ Up in the Scottish highlands on a break to try and rescue their fledging relationship, Louise (Rebecca Calder) and Claire (Deirdre Mullins) endure difficult occurrences in Gary Love’s less-than-inventive thriller.It starts out well enough. […]

Edinburgh 2017: London Symphony review

Advertisements ★★★★☆ Honouring and recognising the city of London through the power of images set to a beautifully orchestrated score, London Symphony – the crowdfunded documentary film from critic and filmmaker Alex Barrett – is an […]

Film Review: Baby Driver

Advertisements ★★★★☆ Baby Driver, writer and director Edgar Wright’s first film since capping off the Three Flavours Cornetto Trilogy with The World’s End, combines elements from the width and breadth (thriller, musical, comedy) to deliver one […]

Edinburgh 2017: Where is Kyra? review

Advertisements ★★★☆☆ Michelle Pfeiffer delivers one of her best performance in years in Where is Kyra?, director Andrew Dosunmu’s follow-up to Mother of George. It’s a dark, often suffocating character study that revels in misery, barely […]

Edinburgh 2017: Killing Ground review

Advertisements ★★★☆☆ Damien Power’s feature debut Killing Ground adopts an interesting non-linear structure that nicely builds tension to tell a story that’s otherwise unremarkable. However smart it is in its plotting, the film ultimately succumbs to […]