John Bleasdale
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Cannes 2019: Sibyl review
★★★☆☆ Movies love certain professions and psychotherapy is certainly one. They have to listen to people’s problems while (usually) masking their own issues. From Richard Burton in Equus to Billy Crystal in Analyse This, there’s an undoubted attraction to a job which involves lots of listening to other people’s stories.
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Cannes 2019: Bong Joon-ho’s Parasite wins Palme d’Or
It’s been a vintage edition of the Cannes Film Festival, with many excellent contenders in the competition. The Palme d’Or went to South Korean director Bong Joon-ho and his masterful black comedy thriller Parasite. It was a popular choice that bested the likes of Ken Loach, Justine Triet and Pedro Almodóvar.
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Film Review: Parasite
★★★★★ Families on the lower end of the pay scale have proven fertile ground for filmmakers of late, from Hirokazy Kore-eda’s Palme d’Or-winning Shoplifters to Ken Loach’s latest Sorry We Missed You. But you’d be hard-put to find anything with the acerbic brilliance of Bong Joon-ho’s Parasite, a masterful dissection of social inequality and the…
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Film Review: Once Upon a Time in Hollywood
★★★★★ Before the first screening of Once Upon a Time in Hollywood, an official from the Cannes Film Festival mounted the stage and read a statement from director Quentin Tarantino and the producers asking that critics try to avoid spoilers in our reviews and so allow audiences to enjoy the film in its pure form.…
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Cannes 2019: Portrait of a Lady on Fire review
★★★★☆ A highly flammable love affair smoulders in Céline Sciamma’s Portrait of a Lady on Fire. Marianne (Noémie Merlant) is a painter with a spark in her eye. Although she is always aware of convention and tradition, she also knows how to bend the rules to further her own pursuit of art. She smokes a…
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Film Review: The Lighthouse
★★★★★ There’s something heartening about genius being put in the service of madness. Already this Cannes we’ve seen the exemplar in a fully restored 4K version of Stanley Kubrick’s The Shining, but at the Quinzaine a sea-change took place. Robert Eggers’ The Lighthouse is something rich and strange, but also something of the body and…
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Cannes 2019: Little Joe review
★★★☆☆ Acclaimed Austrian director Jessica Hausner enters the race for this year’s Palme d’Or at the 2019 Cannes Film Festival with Little Joe, a modest work of satirical sci-fi starring Emily Beecham and Ben Whishaw as two genetic engineers who create a “happy” plant.
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Cannes 2019: Sorry We Missed You review
★★★★☆ Following his 2016 Palme d’Or triumph with I, Daniel Blake, Ken Loach returns to the Cannes Film Festival with Sorry We Missed You, a furious denunciation of zero-hours Britain. We begin in a familiar place: in the dark. A man with a Mancunian accent is being interviewed for a job.
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Cannes 2019: The Dead Don’t Die review
★★☆☆☆ Arch American indie icon and silver fox Jim Jarmusch lurches up the Cannes Croisette with the opening film The Dead Don’t Die, an undeadpan comedy which dies halfway through and fails to reanimate itself. Jarmusch’s previous exercises in genre have been triumphant morphings of cinema staples into his own world view. Down by Law…
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Cannes 2019: Palme d’Or lineup announced
The Cannes lineup for its 72nd edition was announced today. Following a falling out with Netflix and the increasingly heavyweight competition of Venice, the 2019 programme feels like it had something to prove – and it looks to have delivered. About half of the official competition appears to be made up of old hands and…
