Film reviews and more
★★★☆☆ Set 45,000 years ago, when Homo sapiens were making incursions into the lands of the Neanderthals, Andrew Cumming’s horror thriller The Origin depicts a small tribe coming up against a malefic entity in unknown and inhospitable environs.
★★☆☆☆ Told in a loose beginning, middle and end, Jacques Audiard’s criss-crossing Paris, 13th District revolves principally between the film’s three central characters: Émilie (Lucie Zhang), Camille (Makita Samba) and Nora (Noémie Merlant).
★★★★★ A visionary crossover of the theatrical and the cinematic, ear for eye demonstrates writer-director debbie tucker green’s remarkable creative versatility and clarity of expression.
★★★★☆ Fabrice Du Welz’s sixth film Inexorable continues to explore his fascination with troubled souls. Here, it’s a young woman on a mission to destroy an author and his upper-class wife, for reasons which are kept tantalisingly opaque.
★★★★☆ From celebrated South Korean filmmaker Na Hong-Jin, The Medium is an occult shocker set in an isolated village in northern Thailand. A tropical (and therefore suitably febrile) take on the demonic possession and found-footage sub-genres, its creepy theatrics build to a freaky climax.
Contrary to the doom and gloom in certain editorial circles, cinema is well and truly back. Ignoring the clickbait and released back into the wild, the BFI London Film Festival returns to – dare we say it – some sense of normality for 2021.
★★☆☆☆ “Your cock and your words fill me with joy.” Crass to the point of being offensive, these lyrics – from one song of the soundtrack to Gold for Dogs – effectively sum up this deplorable coming-of-age debut feature. Nonsensical […]
★★★★☆ Set in a small village on the Czech-Austrian border, and spanning fifteen years pre, during and post-Second World War, Bohdan Sláma’s Shadow Country is a monumental piece of filmmaking. Simultaneously an historical allegory of tremendous scope and a claustrophobic, […]
★★★★☆ Bloody Nose, Empty Pockets’ vérité style belies a quasi-staged reality that challenges the distinction between fiction and documentary, studying the stories we tell ourselves to make sense of the world. Shot over the course of a single night, Bloody […]
★★★★☆ Positing the question of whether the principal objective of incarceration is punishment, rehabilitation or undue persecution, Garrett Bradley’s Time is another vital addition to a growing canon of films to pointedly critique the US legal and prison systems’ unjust […]
Neither shaken nor stirred by the current climate, and rolling with this year’s seemingly unending string of punches with remarkable aplomb, the 2020 edition of the BFI London Film Festival will be unlike any that have preceded it. The big news is […]
★★★★☆ The El Duce Tapes is one of the best music docs to come along in a while. Funny, honest, grotesque and fascinated by a pot-bellied miscreant most would run a mile from, the film is a thought-provoking foray into […]