★★★☆☆ The critical success last year of Miguel Gomes’ Tabu (2012) and fresh appreciation for the works of Pedro Costa and Raoul Ruiz has seen Portuguese cinema quietly re-introducing itself on the festival circuit. Continuing this trend, João Pedro Rodrigues and João Rui Guerra da Mata’s The Last Time I Continue Reading

★★★☆☆ The Bulgarian capital of Sofia has an estimated population of just over two million – yet has only thirteen operational ambulances. At a time when the value of our own healthcare system is being constantly debated, and NHS watchdogs such as the Quality Care Commission are finding themselves under Continue Reading

★★☆☆☆ A German western starring the inimitable actress Nina Hoss, Gold (2013) follows up its Berlinale premiere with a showing at Edinburgh. A tale of greed and migration, Thomas Arslan’s ambitious genre piece sadly fails to rise above a gentle canter in this bland and strangely pedestrian feature. An alluring Continue Reading

★★★☆☆ Pushing Iranian cinema into a new stratosphere, Vahid Vakilifar’s Taboor (2012) is a bleak and meditative study of a society rotting from the inside out. Vakilifar takes us through the streets of Tehran, charting the nocturnal activities of an enigmatic man (Mohammad Rabbanipour) clad in a tinfoil suit that Continue Reading

Last month saw the release of the full lineup for the 67th Edinburgh International Film Festival. In his second year as artistic director, Chris Fujiwara will be hoping to build on the success of 2012’s resurgent incarnation of the festival. Whilst boasting eye-catching heavyweights such as opening night drama Breathe Continue Reading