★★★★☆ Justin Kurzel first made his name with his breakout film Snowtown, a true crime murder story that shone an unflattering light on small town Australia. Following some missteps, Nitram is a solid return to form as well as a return to similar territory. […]
★★★★☆ Positive School is the name of an arts centre in the heart of Sidi Moumen, a suburb of Casablanca. It’s hard to find. New teacher Anas (Anas Basbousi) drives down a labyrinth of small streets before coming across it. Here, he finds a […]
★★★★☆ Apichatpong Weerasethakul has been a stalwart of the arthouse circuit since his Uncle Boonmee Who Can Recall His Past Lives won the Palme d’Or back in 2010. The Thai independent filmmaker has returned with Memoria, a beguiling and hypnotic and occasionally boring piece […]
★★★★☆ Sean Baker is quickly establishing himself as one of the finest filmmakers in America today. With Starlet, Tangerine and The Florida Project, he has already displayed a precise and empathetic eye for those living the hardscrabble life at the skuzzy end of the […]
★★★★☆ No good deed goes unpunished, and such is the case for Rahim (Amir Jadidi), the protagonist of Asghar Farhadi’s A Hero. Imprisoned for debt, he is on two-day leave when he meets up with his girlfriend Farkhondeh (Sahar Goldust) who might just have the […]
★★★★★ A family car journey isn’t always an enticing premise – either for a film or in real life. But in Panah Panahi’s feature debut Hit the Road, the ride is one that both the audience and the family featured probably wish would last […]
★★★★☆ Wes Anderson showed his loyalty to Cannes by holding back The French Dispatch from last year’s cancelled festival – and it proves a fitting premiere here, with the film a love letter to France herself. But like the best French passion, it has […]
★★☆☆☆ Despite having retired from acting and directing in order to concentrate on writing awful novels, Sean Penn – like a bad Steven Soderbergh – is back once again. Returning to Cannes after the thrashing his last film, 2016’s The Last Face, received, Penn […]
★★★★☆ Agata (Celeste Cescutti) is a young woman who gives birth to a stillborn child. She lives on the coast of Veneto in North East Italy in a deeply religious community where the priest assures her that the unbaptised baby is now in limbo […]
★★★★☆ The lexicon of the ‘robot’ – taken from the Polish word for ‘worker’ – has gone through multiple evolutions and conceptual changes, frequently reflecting the concerns of the times. From android to replicant, it has proven an effective mirror, a Turing test to […]
★★★★☆ Finding your way in the postmodern world isn’t always easy. The answers might be different but the questions are perennial. Do I settle down or play the field? Am I looking for a soulmate or adventure? What do I do with my life? […]
★★★★★ Perhaps the biggest difference between The Souvenir and Part II is its shift towards comedy. Whereas the first film charted the doomed love affair of Julie (Honor Swinton Byrne), the aspiring film student, and Anthony (Tom Burke), who might work for the Foreign […]
★★★☆☆ A bland title – much like a bland line of conversation – can hide an abyss the way a household fridge can hide a corpse. François Ozon is a master at this kind of observational understatement that touches on something deeper. For instance, […]
★★★★★ “It’s counterintuitive, baby,” Adam Driver and Marion Cotillard sing to each other early on in Leos Carax’s Cannes-opener Annette – and indeed it is. As with every good musical, there’s a grasp of the magnificent ridiculousness of the whole conceit. A full joyful […]
There’s never been a Cannes quite like this. Vaccine passports, saliva COVID tests, facemasks: welcome to the Croisette in the time of coronavirus. Cannes has returned, following a year long deferral. Spike Lee is once more head of the jury and some of the […]
★★★☆☆ Movies love certain professions and psychotherapy is certainly one. They have to listen to people’s problems while (usually) masking their own issues. From Richard Burton in Equus to Billy Crystal in Analyse This, there’s an undoubted attraction to a job which involves lots […]
It’s been a vintage edition of the Cannes Film Festival, with many excellent contenders in the competition. The Palme d’Or went to South Korean director Bong Joon-ho and his masterful black comedy thriller Parasite. It was a popular choice that bested Quentin Tarantino’s Once […]
★★☆☆☆ It’s time Cannes called a moratorium on screening the films of French director Arnaud Desplechin until he can come back with work as good as A Christmas Tale. Oh Mercy! has no business competing for the Palme d’Or. Co-written with Léa Mysius, who […]
