The Karlovy Vary International Film Festival returned to Bohemia this year with another feast of cinema from Europe and beyond. Running from 29 June to 7 July, this year’s festival was particularly notable for two excellent retrospective strands to complement […]
“I Do Not Care If We Go Down in History as Barbarians” Radu Jude’s film claimed the top prize at this year’s festival and it’s easy to understand why. It embraces the kind of boldly political stance of classic Polish […]
★★★★☆ Olmo Omerzu’s follow-up to the stinging satire of 2015’s Family Film is another tale of children left to their own devices by negligent parents, but this time takes the form of an unsentimental but winning road movie caper Winter Flies. […]
★★★☆☆ Unfolding entirely on a laptop screen, Timur Bekmambetov’s new thriller Profile seeks to explore the murky world of how social media is used to recruit vulnerable young women to ISIS. The results are as compelling as they are silly. […]
★★★★☆ Following 2015’s Aferim!, Radu Jude returns to the topic of historical Romanian anti-Semitism in his furious new satire “I Do Not Care If We Go Down in History as Barbarians” which picked up the top prize at the 53rd edition […]
The Karlovy Vary International Film Festival returned for its 52nd year from 30 June-8 July. The beautiful spa town on the edge of the Slavkov forest in Western Bohemia played host to A-list stars and directors from around the world.As […]
★★★★☆ Georgian director Rati Oneli’s City of the Sun is in a constant dialogue with philosophical treatise and epic poetry, but the humanity shines through in his meditative exploration of a half-abandoned mining town.The title of City of the Sun […]
★★★★☆ Ain’t Them Bodies Saints director David Lowery channels slow cinema maestros Apichatpong Weerasethakul and Tsai Ming-liang in A Ghost Story, a beautiful meditation on grief, time, and place which screened at Karlovy Vary.It doesn’t start out that way, though. […]
★★★☆☆ Shimmering corn fields and the blazing midday sun may not seem like natural environs for spooky supernatural horror, but Jiří Sádek’s The Noonday Witch employs them to suitably disconcerting effect. With a tinge of Philip Ridley’s The Reflecting Skin, […]
★★★☆☆ “I don’t know where I’m going,” writes Ján Kollár in his diary. He’s recently been booked in for surgery, his chances of surviving it are 50/50, and he has now set off on a literal and philosophical wander in […]
★★☆☆☆ For those with prior knowledge of his work, Petr Václav’s latest film We Are Never Alone may represent his career thus far in microcosm. It folds in the Roma subject matter of his lauded debut Marian; Karel Roden and […]
★★★★☆ Don’t be fooled by the banal title – there’s a great deal of interest beneath the pastel hues and fine furnishings of Slovenian director Olmo Omerzu’s Family Film. Indeed, the title itself is the first of many sardonic misdirections […]
★★★★☆ “Everyone says: ‘Less emotion, less emotion.’ How can anyone act without emotion?” So complains the eponymous veteran actress in Slovakian drama Eva Nová. She’s lamenting her plight; unemployed and at the mercy of modern, young directors and contemporary conventions […]
★★★☆☆ There’s a distinct whiff of Mike Leigh running through Waves, the fiction feature debut of Polish director Grzegorz Zariczny. A social realist drama about the difficulties facing working families, it is constructed with autobiographical details proffered by its non-professional […]
★★★☆☆ Rithy Panh’s The Missing Picture used clay figurines to represent the non-existent images of the Khmer Rouge’s reign in Cambodia to startling effect and wide acclaim. Having survived the regime’s genocide in the late seventies, Panh has spent much […]
★★★★☆ When Bob Dylan released his thirtieth studio album in 1997, critics claimed that the ominous atmosphere created by producer Daniel Lanois was palpable, but also almost drowned the singer’s vocals. It’s interesting then that New York-based director Oren Moverman […]
★★★☆☆ German director Dietrich Brüggemann took the arthouse world by storm last year with his fourth feature, Stations of the Cross (2014) – a restrained, rigorously formalist study of religious fanaticism in present-day Germany realised in fourteen still frames. Brüggemann’s […]
Karlovy Vary is the festival scene’s best kept secret. The Czech festival may not enjoy the same cachet as Berlin, Locarno or even non-competitive festivals like London, but the consistently adventurous programming it’s celebrated for in addition to its rich […]
