KVIFF 2018: Our festival highlights
Radu Jude’s film claimed the top prize at this year’s festival and it’s easy to understand why. It embraces the kind of boldly political stance of classic Polish cinema from the Communist era like a riff on both Wajda and Zanussi. The result is a formally loose, but dizzyingly dense and morally forthright examination of national attitudes and the myopia of nostalgia.