★★★★☆ Deadpan, absurdist comedy may not seem like an obvious genre choice for a story about the cruel, grinding bureaucracy of the UK’s asylum process. But five years since the playful oddness of his debut feature, Pikadero, Ben Sharrock returns in style with Limbo. […]
★★☆☆☆ “Your cock and your words fill me with joy.” Crass to the point of being offensive, these lyrics – from one song of the soundtrack to Gold for Dogs – effectively sum up this deplorable coming-of-age debut feature. Nonsensical and tonally misguided, we […]
★★★☆☆ Eight years after The Hunt, Thomas Vinterberg gets the old band back together for a rollicking good time in Another Round. Necking half-a-bottle of Smirnoff before starting a day of work would generally be considered grounds for a pretty serious intervention. But Martin […]
★★★★☆ Set in a small village on the Czech-Austrian border, and spanning fifteen years pre, during and post-Second World War, Bohdan Sláma’s Shadow Country is a monumental piece of filmmaking. Simultaneously an historical allegory of tremendous scope and a claustrophobic, cautionary tale of collaboration […]
★★★★★ “They actually have the ability to…to kill. And they’re not sanctioned for it, in any way.” When police officers commit murder with impunity, what possible course of action can be taken by devastated families? When the CPS and IPCC conduct sham investigations, more […]
★★★★☆ Background noise cannot be ignored in Matt Fifer and Kieran Mulcare’s exceptional debut, Cicada. Aural triggers that recall repressed traumas are as vivid and immediate as smells or visual memories for Ben (Fifer) and Sam (Sheldon D. Brown). As they battle their individual pasts and […]
★★★★☆ Bloody Nose, Empty Pockets’ vérité style belies a quasi-staged reality that challenges the distinction between fiction and documentary, studying the stories we tell ourselves to make sense of the world. Shot over the course of a single night, Bloody Nose, Empty Pockets depicts […]
★★★★☆ All that glitters is not gold, but there is positivity to be found in radioactivity. Co-directed by Małgorzata Szumowska and Michał Englert, the haunting supernatural forces at work in Never Gonna Snow Again are elusive, inexplicable and yet perfectly in sync with reality. […]
★★★★☆ Positing the question of whether the principal objective of incarceration is punishment, rehabilitation or undue persecution, Garrett Bradley’s Time is another vital addition to a growing canon of films to pointedly critique the US legal and prison systems’ unjust treatment of people of […]
★★★★☆ A Dublin-set kitchen sink drama for the modern era, Phyllida Lloyd’s strong third feature, Herself, is as much an indictment of the grinding bureaucracy failing to house and protect women abused at the hands of their partners, as it is the men who inflict […]
Neither shaken nor stirred by the current climate, and rolling with this year’s seemingly unending string of punches with remarkable aplomb, the 2020 edition of the BFI London Film Festival will be unlike any that have preceded it. The big news is that this year’s terrific […]
★★★★☆ Absurdity and surrealism played with a straight face is Quentin Dupieux’s stock in trade. His latest gonzo reverie Deerskin finds the filmmaker working with major stars Jean Dujardin and Adèle Haenel. The result is predictably crackpot and enigmatic. We meet Georges (Dujardin) driving down […]
★★★★☆ The El Duce Tapes is one of the best music docs to come along in a while. Funny, honest, grotesque and fascinated by a pot-bellied miscreant most would run a mile from, the film is a thought-provoking foray into anti-commercial art and outsider […]
★★★★★ In Rose Plays Julie, the latest from dynamic duo Christine Molloy and Joe Lawlor, a child of adoption studying veterinary medicine decides to seek out her biological mother and father. Her journey of discovery and resolution in holding her parents to account makes […]
★★☆☆☆ Michael Winterbottom reunites with his perennial stars Steve Coogan and Shirley Henderson for a satire of the superrich set in the days running up to a lavish 60th birthday party in Mykonos. Coogan plays Sir Richard McCreadie, a clear pastiche of Philip Green […]
★★★★☆ In J.M. Coetzee’s acclaimed 1980 novel, waiting for the invading barbarians to show up is akin to waiting for Godot. Colombian director Ciro Guerra’s haunting adaptation shapes the book into a desolate cavalry western. Filmed in Morocco and Italy with an international cast, […]
★★★★☆ Set around a vast estate on the northeast American coast, in Roger Michell’s Blackbird, a family comes together over one last weekend to say their goodbyes to matriarch Lily (Susan Sarandon). Lily has a terminal illness which causes such physical deterioration that her […]
★★★★☆ Alexandre O. Philippe continues his run of feature-length documentaries concentrated on classic genre movies, with a look at William Friedkin’s The Exorcist. Often described as “the Citizen Kane of horror”, this deep dive benefits from Friedkin serving as our personal guide. As a […]
