Category: IFFR
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IFFR 2021: Madalena review
★★★☆☆ In a small rural town in the middle of acres and acres of soy fields, bodies keep turning up. The latest is the body of a trans woman Madalena (Chloe Milan). The lives of three people seem obscurely affected by the event and are told as separate vignettes. Luziane (Natália Mazarim), who works as…
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IFFR 2021: Liborio review
★★★★☆ It’s the beginning of the 20th century, and Olivorio Mateo (Vicente Santos) is a peasant who disappears in the midst of a storm. In the darkness of a cave, he almost gives up hope but manages to escape in a way that appears to be magical. Upon returning to his village, he calls himself…
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IFFR 2021: Gritt review
★★★★☆ Itonje Søimer Guttormsen’s Gritt is a funny, maddening and at times touching work about art, ambition and how to live. The titular Gritt (Birgitte Larsen) is a familiar figure, both in real life and in culture: the artistic meanderer who desperately wants to express herself but is somehow unable to work out quite what…
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IFFR 2021: Black Medusa review
★★★☆☆ Nada (played with resolute sternness by Nour Hajri) is a young woman who leads a double life. By day she works for an online company; at night she scours the bars and clubs of Tunis for men who want to take her home. There are plenty. Once she has someone hooked, she drugs them…
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IFFR 2019: Koko-di Koko-da review
★★★★☆ In Swedish filmmaker Johannes Nyholm’s second feature Koko-di Koko-da, three bizarre characters from a children’s music box come to life to haunt a grief-stricken couple as they try to escape from a nightmarish cyclical maze of a scenario which unfolds each time in the middle of a forest. In an interview, Johannes Nyholm described…
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IFFR 2019: Sheena667 review
★★★☆☆ Actor-director Grigory Dobrygin’s debut feature and IFFR Tiger Competitor Sheena667 tells the story of a Russian couple whose plans to travel to Europe and marriage both get derailed when the man meets a girl on the internet. While humour exposes the absurdity of the situation, the frozen landscape the film is set in underscores…
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IFFR 2019: Sofia review
★★★☆☆ In Sofia, a young, unmarried Moroccan woman has a child out-of-wedlock. In a film deemed as a ‘social thriller’ where the ultimate revelation holds less power than the reasons for keeping it a secret, Meryem Benm’Barek-Aloïsi explores how issues of gender, class and power interact in a society that exercises rigid control over personal…
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IFFR 2019: The Best of Dorien B. review
★★★☆☆ In Belgian director Anke Blondé’s The Best of Dorien B., a thirtysomething married mother of two with a flourishing veterinary practice sees her hitherto settled life start to crumble all at once. An unsentimental treatment and lots of wry humour balance out the chaos in a film where a woman must find herself again…
