Berlin 2019: Bait review

★★★★☆ Bait joins a recent spate of British films that have abandoned the cities to depict a countryside in crisis. But, unlike social-realist dramas like The Levelling, Dark River and God’s Own Country, Mark Jenkin’s wonderfully weird debut subverts the kitchen sink template to create one of Berlin’s most original Continue Reading

Berlin 2019: Öndög review

★★★★☆ A beguiling drama laced with dry humour and lashings of spiritualism, Wang Quan’an’s Competition entry Öndög possesses a mysterious grandeur that should ensure it doesn’t leave the Berlinale empty-handed. Concerned with the mysteries surrounding life and death, Öndög opens with the discovery of a dead body and ends in Continue Reading

Berlin 2019: Monsters review

★★★☆☆ Following in the footsteps of Adina Pintilie’s controversial Golden Bear winner Touch Me Not, Marius Olteanu’s Monsters is a tragic saga that explores the social taboos surrounding sexual identity and female emancipation in modern-day Romania. It’s been over a decade since Tudor Giurgiu released the lesbian romance Love Sick. Continue Reading