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Berlin 2019: Our picks of the programme

The 69th edition of the Berlin International Film Festival kicks off this week (7-17 February) with Lone Scherfig’s The Kindness of Strangers, a “modern-day fairytale about hope, forgiveness and love” starring Andrea Riseborough, Bill Nighy, Caleb Landry Jones, Jay Baruchel,...

Berlin 2018: Yardie review

★★★☆☆ Hackney-born actor, DJ and now filmmaker Idris Elba makes his directorial debut with Yardie, a Caribbean twist on the well-worn conventions of the British gangster movie, based on the book by Victor Headley. The film follows a Jamaican drug...

Berlin 2018: What Comes Around review

★★★★☆ While Middle Eastern cinema seems to be having a fresh resurgence of late, films that shine a light on ordinary people in these countries remain few and far between. With an industry all but decimated by years of political...

Berlin 2018: Victory Day review

★★★☆☆ Training his eye on the 2017 memorial service held at Berlin’s Treptower Park, a site of pilgrimage for the Soviet diaspora, Sergei Loznitsa’s Victory Day is an absorbing study of nationalism and the collective memory of traumatic experiences. After the Second...

Berlin 2018: Yours in Sisterhood review

★★★☆☆ A series of provocative and often heartbreaking conversations between the past and the present, Irene Lusztig’s Yours in Sisterhood is a collective portrait of feminism, and a beautiful paean to the lost art of letter writing. Beginning as an insert...

Berlin 2018: An Elephant Sitting Still review

★★★★☆ Powerfully conveying a longing for escape from ordinary life, Hu Bo’s An Elephant Sitting Still is a strangely alluring, four-hour portrait of the disillusionment and hollow sense of emptiness experienced by those living in a society marked by violent...

Berlin 2018: L’Animale review

★★★★☆ It’s not difficult to guess which beast is being referred to in the title of Katharina Mückstein’s coming-of-age drama L’Animale. In rural Austria, Mati (Sophie Stockinger) is only a few weeks away from passing her final exams. But matters of...

Berlin 2018: Lemonade review

★★★★☆ The theme of institutional corruption has become recognised as a mainstay of the Romanian New Wave, but Ioana Uricaru’s debut Lemonade, the story of a Romanian woman’s attempt to obtain a United States green card, suggests things aren’t much...

Berlin 2018: The Green Fog review

★★★★☆ A veritable treasure trove for cinephiliacs, The Green Fog sees Guy Maddin and his Forbidden Room team use footage repurposed from movies and television shows shot or set exclusively in San Francisco to create a cinematic echo of Alfred...

Berlin 2018: Daughter of Mine review

★★★★☆ While it can be frustrating to see female characters defined by their reproductive capabilities and adherence to societal norms, some of cinema’s most complex and memorable women have been mothers. That’s certainly the case in Laura Bispuri’s Daughter of...

Berlin 2018: The Prayer review

★★★☆☆ A film about faith in all its various forms, Cédric Kahn’s The Prayer is a sobering drama about the fragility of the human spirit, interwoven with a dollop of biblical abstinence. Thomas (Anthony Bajon) is a junkie. That’s about...