Film Review: Ghost Town Anthology
★★★★☆ The reverberations of loss in a small town awaken the spirits of the recently deceased in Denis Côté’s chilling adaptation of Laurence Olivier’s...
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23 August 2022
Sarajevo 2022: Our festival highlights
The Sarajevo Film Festival has a history of resilience, so it was hardly surprising to see it come back stronger than ever after two years of Covid restrictions. Founded in 1995, the festival is now the leading industry event in south-east Europe, showcasing the very best films from across the Balkan peninsula.
22 October 2020
Film Review: Cinema Paradiso
★★★★☆ A major contributor to the reverential narrative of wistful cinema, Giuseppe Tornatore’s magnum opus Cinema Paradiso is an elegant distillation of the form’s...
8 May 2020
Film Review: Infinite Football
★★★★☆ A Romanian pen pusher’s attempts to revolutionise the beautiful game goes far beyond inverting the pyramid in Corneliu Porumboiu’s hilarious Infinite Football, a...
Patrick Gamble
Interview: Brady Corbet, dir. Vox Lux
In 2015, Brady Corbet went from supporting roles in films like Catherine Hardwicke’s Thirteen, Michael Haneke’s Funny Games (US) and Lars von Trier’s Melancholia, to suddenly being lauded as one of the most exciting new directors working in American Cinema.
Berlin 2019: Nadav Lapid’s Synonyms wins Golden Bear
With Berlinale director Dieter Kosslick passing on the baton to former Locarno artistic director Carlo Chatrian from next year, no one knew quite what...
Berlin 2019: So Long, My Son review
★★★★☆ Sixth generation director Wang Xiaoshuai returns to Berlin with a decade-spanning family drama set against some of the most turbulent events in recent Chinese...
Berlin 2019: Bait review
★★★★☆ Bait joins a recent spate of British films that have abandoned the cities to depict a countryside in crisis. But, unlike social-realist dramas...
Berlin 2019: The Plagiarists review
★★★★☆ A pair of self-absorbed millennials are forced to confront the lack of originality behind their ideas in Peter Parlow’s The Plagiarists, a dramatic...
Berlin 2019: God Exists, Her Name Is Petrunya review
★★★☆☆ Teona Strugar Mitevska’s previous film When the Day Had No Name was a bleak exploration of the cultural tensions in Macedonia, demonstrating how a...
Berlin 2019: Earth review
★★★★☆ Highlighting the significant impact of mining and large-scale construction on the planet’s ecosystem, the latest film from documentarian Nikolaus Geyrhalter Earth is a...
Berlin 2019: Öndög review
★★★★☆ A beguiling drama laced with dry humour and lashings of spiritualism, Wang Quan’an’s Competition entry Öndög possesses a mysterious grandeur that should ensure...
Berlin 2019: Monsters review
★★★☆☆ Following in the footsteps of Adina Pintilie’s controversial Golden Bear winner Touch Me Not, Marius Olteanu’s Monsters is a tragic saga that explores...