Film Reviews & More
★★★★☆ With Luca Guadagnino’s terrific Challengers, the acclaimed director of Call Me By Your Name brings us the sub-genre we never knew we needed: the erotic tennis thriller.
★★☆☆☆ Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
What does it mean to love cinema? For the better part of a decade this writer has written for this website, first as a DVD reviewer, later as editor, and now as chief critic. As with all things, hobbies and passions wax and wane, but cinema has always in some way been a constant.
★★★☆☆ American filmmaker Michael Mann returns to the big screen for Ferrari, a long-held passion project for the legendary director. As one would expect from the director of Heat and Miami Vice, this biopic is a well-mounted and handsomely shot study of men obsessed by their work, but never fully hits top gear.
“Trenque Lauquen” is an enigmatic film by Argentinian director Laura Citarella. It follows Rafa and Chicho’s search for the missing biologist, Laura, unraveling secrets along the way. Embedded within the narrative are flashbacks revealing Laura’s obsession with a school teacher’s affair and a connection with Chicho. The film concludes without resolution, deviating towards another unrelated mystery.
★★★★☆ Romanian director Cristian Mungiu’s first film in six years, R.M.N. is a multi-faceted, oft-bleak, and occasionally surreal portrait of racism and toxic masculinity in Romanian society. In its depiction of a part of Europe struggling to keep up with neoliberalism, R.M.N exposes the dark mirror of liberal, globalised western European metropolitanism.
★★★★☆ An acerbic social satire, Chilean filmmaker Sebastián Silva’s latest reflects a cultural malaise rooted in cultural ennui. More than a casual swipe at modern social trends, Rotting in the Sun exposes a kind of cruelty, alienation, and social stratification that is only as modern as the technology through which it expresses itself.
★★★★★ Childhood friends Na-Young (Greta Lee) and Hae-Sung’s (Yoo Teo) young lives are irrevocably changed when Na-Young’s family emigrate from South Korea to Canada, until the pair reconnect twelve years later. Past Lives, a film about love, friendship and fate, is an astonishing debut from South Korean-Canadian director Celine Song.
★★★★☆ American indie director Ira Sachs returns to UK screens with his comic romantic drama Passages, a pointed, revealing study of selfishness and an all-too familiar portrait of emotional indulgence, bolstered by three excellent lead performances.
★★★★☆ The long-suffering son of serial monogamist Sylvie (Anouk Grinberg), Abel (Louis Garrel) is immediately suspicious of her new (and third) husband, convict and ex-heist man Michel (Roschdy Zem). His fourth feature as director, Garrel’s The Innocent deftly mixes comic family melodrama with genre thrills in this pacy, emotive thriller with a killer cast.