★★★☆☆ The opening film of this year’s hastily – and impressively – digitised CPH:DOX festival, Kenneth Sorento’s The Fight for Greenland offers a balanced, clear-eyed view of an indigenous populace grappling with the prospect of autonomy from the Kingdom of Denmark. Colonised by the Danish in the early 18th century, Continue Reading
★★★☆☆ German auteur Werner Herzog’s latest has been described by some critics as his strangest film in years. His first fiction(ish) film since 2016’s Salt and Fire, it’s not hard to see why. Based on the phenomenon in Japan of hired family members, Family Romance, LLC is billed as a Continue Reading
★★★★☆ Bloody Nose, Empty Pockets’ vérité style belies a quasi-staged reality that challenges the distinction between fiction and documentary, studying the stories we tell ourselves to make sense of the world. Shot over the course of a single night, Bloody Nose, Empty Pockets depicts the final night of The Roaring Continue Reading
With the Cannes Film Festival now postponing its 2020 edition in light of the global Covid-19 epidemic until late June at the earliest, and other major fests either cancelling or delaying in recent weeks, CPH:DOX has arguably led the way in adapting to the current situation. Running from 18-29 March, Continue Reading
