★★★☆☆ Set 45,000 years ago, when Homo sapiens were making incursions into the lands of the Neanderthals, Andrew Cumming’s horror thriller The Origin depicts a small tribe coming up against a malefic entity in unknown and inhospitable environs.
Returning for its 26th edition and with 2021’s Covid restrictions largely a thing of the past, Tallinn’s Black Nights Film Festival (PÖFF) this year crowned Hilmar Oddsson’s Icelandic dark comedy Driving Mum as the 2022 Grand Prix winner, with the Best Director award going to Ahmad Bahrami for thriller The Wastetown.
The head of this year’s Venice jury Julianne Moore awarded the festival’s top prize, the Golden Lion, to Laura Poitras’ All the Beauty and the Bloodshed, her profile of artist Nan Goldin and her campaign against the Sackler family. It’s a brilliant, committed piece of activist cinema.
★★★☆☆ Celebrated British director Joanna Hogg is back on the Venice Lido with The Eternal Daughter, a film shot in secret in lockdown and starring The Souvenir’s Tilda Swinton in dual roles as a mother and daughter heading to a hotel in the countryside for a much-needed birthday vacation.
★★★☆☆ A man sits alone in a room with a notepad and begins to scribble down his own voiceover. He only writes on one page and seems to always be starting at the top. His thoughts will be meticulous and he will show a certain expertise. When he’s finished writing he will place the pen on the table, neatly aligned with the pad.
The Sarajevo Film Festival has a history of resilience, so it was hardly surprising to see it come back stronger than ever after two years of Covid restrictions. Founded in 1995, the festival is now the leading industry event in south-east Europe, showcasing the very best films from across the Balkan peninsula.
★★★★★ Saela Davis and Anna Rose Holmer are a little-known writing and directing partnership based in Brooklyn, New York. But their standing is due a considerable elevation on the strength of God’s Creatures, a film that wields its simple premise with devastating impact.
This week sees the return of Dungeons & Dragons to the scene, the latest in a storied history of trying to bring the beloved pen-and-paper role-playing game to the wider world via cinema or television. It’s safe to say that the franchise has a mixed legacy in this department and fans have been understandably hesitant to get excited about this latest entry.
Films extending their names across a variety of media is not a new phenomenon. Capitalising on the popularity of a product by diversifying related releases is simple business sense, and that’s as true now as ever. There is a newer part of this reality, however, in that modern movies are increasingly embracing the digital and mobile multimedia path.
★★★★☆ Putting her talents behind the camera, Chilean actor-turned-director Manuela Martelli’s debut feature is a gripping study of paranoia during the early years of the Pinochet regime. As historical noir, Martelli’s film is thrilling, but as a document of the comforts of complicity and the terror of resistance, 1976 is visceral.
★★★★☆ Having horrified audiences most recently with 2020’s Possessor, Brandon Cronenberg is about to make an even bigger arterial splash with Infinity Pool, a lysergic hymn to ritual bloodletting and spoilt Westerners who enjoy languorous holidays in other people’s misery.
★★★☆☆ Her first film as director since 2017’s heady study of adolescence, Ava, Léa Mysius’ latest is an oft-gripping magical-realist mystery drama with faint whiffs of horror. While The Five Devils doesn’t quite have the clarity of vision of her previous picture, its emotion, erotically-charged themes and puzzle-box structure leave much to recommend.
★★★☆☆ It’s 1918, and the elderly woman that terrorised the screaming youths of X is still a tender young thing, stuck on her parents’ farm and dreaming of a life of stardom in faraway Hollywood. How far removed from that wizened psychotic killer this cherubic vision now stands.
★★★★☆ There is tragedy and there is comedy, but the hinterland has never really received a proper definition. Melodrama suggests histrionics and musical accompaniment milking the emotional teat. Drama is too broad. And anyone who suggests “dramedy” should be punished. It would be “dramedic”.
The winners of this year’s 95th Academy Awards were announced earlier this morning at LA’s Dolby Theatre. The Daniels’ Everything Everywhere All at Once was the big winner on the night, scooping seven Oscars in total including Best Picture, Best Director and Best Actress for Michelle Yeoh.
More than twelve months after “the slap”, the 95th Academy Awards are almost upon us. The recent success of Parasite and Drive My Car appears to have opened the door for more international features to break through into the main categories, with Netflix’s All Quiet on the Western Front up for Best Picture, Best Director and seven further categories.
