-
#LFF 2025: Black is Beautiful – The Kwame Brathwaite Story review
★★★☆☆ Black is Beautiful (2025) seeks to unravel the titular slogan of black empowerment, tracing it all the way back to a pointedly little-known photographer and activist from Harlem, Kwame Brathwaite.
-
#LFF 2024: It’s Not Me review
★★★★☆ A swift but singular filmmaking self-portrait, Leos Carax’s It’s Not Me reflects on the French auteur’s 40-year directorial career, as well as his many cinematic – and canine – influences.
-
#LFF 2024: Conclave review
★★★★☆ Ralph Fiennes approaches top form as a spiritually and morally-conflicted cardinal during a Vatican Conclave in Edward Berger’s gripping, oft-humorous follow-up to the multi-Oscar-winning All Quiet On the Western Front.
-
Film Review: Firebrand
★★☆☆☆ “An old, mad, blind, despised, and dying king,” Percy Shelley once wrote in his sonnet England in 1819. He was firing his barbs at King George III but the words could just as well be used for any number of English monarchs including Henry VIII.
-
Film Review: About Dry Grasses
★★★★★ Turkish master director Nuri Bilge Ceylan returns to the Cannes Croisette with About Dry Grasses, a wonderful wintry meditation on male fragility and the way we often make our own hells and then deceive ourselves that we’re trapped.
-
Film Review: Green Border
★★★★☆ From sub-Saharan Africa to Afghanistan, Syria to Iraq and Iran, the climate crisis, drought, war, and oppression has created a humanitarian crisis of epic proportions. It is treated as an ethical conundrum, but it isn’t. Either we wish to save those who are in danger of dying, or all our talk of human rights…
-
Cannes 2024: Sean Baker’s Anora wins Palme d’Or
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
-
Film Review: Challengers
★★★★☆ With Luca Guadagnino’s terrific Challengers, the acclaimed director of Call Me By Your Name brings us the sub-genre we never knew we needed: the erotic tennis thriller.
-
Film Review: Abigail
★★☆☆☆ Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
-
Film Review: Jeanne du Barry
★★☆☆☆ Maïwenn’s French period drama Jeanne du Barry is the perfect opening salvo for the 76th Cannes Film Festival. It is as glitzy and gaudy as the festival itself, with its vacuous politics drowned out by the thunderous sound of it slapping its own back.
Cannes 2026