CineVue
For the latest reviews of arthouse, documentary and indie film in cinemas and on the festival circuit.
★★★★☆ The lives of painters tend to be told with broad strokes. Famous artists are portrayed as tortured and romantic or else their work hangs over the story, weighing it down with a set of cultural expectations which are hard to shake off. With Portrait of a Lady on Fire, Continue Reading
★★★★☆ Moonlit waves crash against coastal rocks, the darkness punctured only by an amber light coming from the windows of a mansion sat atop the cliff above. It’s a neo-Gothic scene wholly worthy of the classic studio chillers, while the film’s title fades in a cool, 1990s-esque glassy font. Depending Continue Reading
★★★☆☆ An adaptation of H.P. Lovecraft’s short story The Colour Out of Space, filmmaker Richard Stanley’s latest is a richly textured, if not entirely coherent, descent into madness, body horror and technological anxiety. After a meteorite crashes in the Gardner family farm their well is poisoned. One would be well-advised Continue Reading
★★★☆☆ Michael Winterbottom brings together a who’s who of British comic talent for his fast fashion satire Greed. Conceived as a biting commentary on inequality, sweatshop labour and…well, greed, the film lacks fluency and laughs, rarely managing to lands its many upward punches. High street fashion magnate Sir Richard McCreadie Continue Reading
★★★★☆ An acutely observed and frequently heartbreaking documentary, Luke Lorentzen’s Midnight Family chronicles one family’s privately run ambulance, saving lives and attempting to break-even during wee hours in Mexico City. What do you do when the ambulance chasers are other ambulances? This is the question posited by Midnight Family. Nine Continue Reading
★★★★☆ In her sixth feature, Austrian director Jessica Hausner brings an intense, minimalistic creepiness to this science fiction tale of floral manipulation. Read as a loose adaptation of Invasion of the Body Snatchers, Little Joe is a gripping and visually striking satire of essentialist maternal instinct and the contemporary anxiety Continue Reading
Daphne du Maurier’s short story The Birds was published in 1952 in her collection The Apple Tree. Telling the story of a Cornish village besieged by marauding birds, it would be adapted several times for TV, film and radio, most famously in Alfred Hitchcock’s film of the same name. Hitchcock’s Continue Reading
★★★☆☆ Autumn de Wilde’s debut feature – and the fourth big-screen version of Jane Austen’s novel Emma – is a handsome and witty if slightly uninspiring adaptation buoyed by a surfeit of game British acting talent and a quite delightful turn from rising star Anya Taylor-Joy. De Wilde’s film serves Continue Reading
★★★☆☆ Japanese horror maestro Takashi Miike is back with this dive into comic book-style, hyper-violent crime noodling. First Love is not among the director’s best work – not by a long shot. Nevertheless, there’s enough of Miike’s trademark bonkers sensibilities to recommend this pulpy tale of crooked cops and warring Yakuza. Continue Reading
Parasite’s Korean director Bong Joon-ho upset the odds to win both Best Picture and Best Director at this year’s Academy Awards on a night of mixed feelings over the Academy’s perceived lack of diversity. Sam Mendes’ First World War epic 1917 flagged somewhat after its seven-award Bafta triumph, with Disney Continue Reading
★★★★☆ Margot Robbie stars as Harley Quinn in Cathy Yan’s spin-off to 2016’s Suicide Squad. But where its predecessor was a mirthless, incoherent mess, Birds of Prey is a chaotic, violent multi-coloured joy; easily the best of DC’s extended universe films to date and the perfect vehicle for its star’s Continue Reading
It may be early February but – thanks to a compressed awards season – the 92nd Academy Awards are almost upon us. Once again, concerns over diversity and representation have dominated the discourse, with only one non-white nominee across the four acting categories in the form of British actress Cynthia Continue Reading
The 2020 Academy Awards ceremony is almost here and the tension is rising. The nominees are excited to learn their fate and some categories will certainly see fierce competition. And yet, there are a couple in which the Oscar winner seems certain. To that end, here are five of the Continue Reading
★★★★☆ The quintessential American director is a hot topic for debate amongst most cinephiles. Whether it’s Welles, Reichardt or Scorsese, directors of this ilk possess a masterful skill in assessing pertinent themes throughout American’s past, present and future. Still, one director that cannot be ignored in a conversation of this Continue Reading
★★★★☆ Paul Thomas Anderson’s Punch-Drunk Love has long been held aloft by Adam Sandler advocates as proof of the 53-year-old’s acting chops. While years of shoddy comedies have undone some of that good work, A24 and Netflix thriller Uncut Gems is another sorely-needed reminder of his obvious talents. The latest film from Continue Reading
