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Film Review: Priscilla

★★★★☆ Following Baz Luhrmann’s deliriously over-the-top 2022 film Elvis comes Sofia Coppola’s decidedly more understated Priscilla. In fact, it’s the polar opposite of Elvis both aesthetically and emotionally. If Luhrmann captures the whole lotta shakin’, Coppola is more concerned with the end of lonely street for The King’s beleaguered wife.

The best of 2023: Our films of the year

What does it mean to love cinema? For the better part of a decade this writer has written for this website, first as a DVD reviewer, later as editor, and now as chief critic. As with all things, hobbies and passions wax and wane, but cinema has always in some way been a constant.

Film Review: Ferrari

★★★☆☆ American filmmaker Michael Mann returns to the big screen for Ferrari, a long-held passion project for the legendary director. As one would expect from the director of Heat and Miami Vice, this biopic is a well-mounted and handsomely shot study of men obsessed by their work, but never fully hits top gear.

Film Review: Godzilla Minus One

★★★★★ Godzilla Minus One successfully blends horror-infused kaiju spectacle with an emotionally compelling storyline about grief, wartime trauma, and hope. The film’s world-class visuals, engaging characters, and socially relevant themes differentiate it from other entries in the franchise. It is a superlative monster movie.

Film Review: Trenque Lauquen Parts 1 & 2

“Trenque Lauquen” is an enigmatic film by Argentinian director Laura Citarella. It follows Rafa and Chicho’s search for the missing biologist, Laura, unraveling secrets along the way. Embedded within the narrative are flashbacks revealing Laura’s obsession with a school teacher’s affair and a connection with Chicho. The film concludes without resolution, deviating towards another unrelated mystery.

Film Review: Maestro

★★★★☆ Bradley Cooper is back in the director’s chair for another musically-oriented film, a biopic of the composer Leonard Bernstein entitled Maestro. And yet, this isn’t really a conventional biopic at all. Rather, it’s the portrait of a marriage between Bernstein (Cooper) and Felicia (a luminous Carey Mulligan who takes the headline credit). His career is more in the background, yet occasionally comes to the fore with exhilarating force.

Film Review: The Eternal Daughter

★★★☆☆ Celebrated British director Joanna Hogg is back on the Venice Lido with The Eternal Daughter, a film shot in secret in lockdown and starring The Souvenir’s Tilda Swinton in dual roles as a mother and daughter heading to a hotel in the countryside for a much-needed birthday vacation.

Film Review: May December

★★★☆☆ American director Todd Haynes (Safe, Carol) returns to UK cinemas with May December, a Natalie Portman and Julianne Moore two-hander that asks the question: what if Brian De Palma remade Persona but as a comedy?