CineVue

  • Edinburgh 2014: ‘Something, Anything’ review
    ,

    Edinburgh 2014: ‘Something, Anything’ review

    ★★★☆☆ Consume and conform, worship and prey, is there really any difference between organised religion and consumerism? In Something, Anything (2014), Paul Harrill’s sombre observation of sleepy Middle America, the pressure to abide by societies norms result in an unconventional love story about overcoming grief and having the courage to take a different direction. A…

    Continue

  • Edinburgh 2014: ‘Palo Alto’ review
    ,

    Edinburgh 2014: ‘Palo Alto’ review

    ★★★☆☆ Based on a series of disparate short stories written by James Franco – who also stars – Palo Alto (2013) is the directorial debut of Gia Coppola and concerns the lives of a group of teenagers living in the titular city in California. Employing a laid back, observational style not unlike that of her aunt…

    Continue

  • Edinburgh 2014: ‘N: The Madness of Reason’ review
    ,

    Edinburgh 2014: ‘N: The Madness of Reason’ review

    ★★★★☆ “We began before words, and we will end beyond them.” So begins Peter Krüger’s mesmerising N: The Madness of Reason (2014), a spiritual journey through the memories and regrets of Raymond Borremans, a freewheeling Parisian musician turned encyclopedia enthusiast for whom Africa was his destiny – its heat his home. Borremans moved to Africa…

    Continue

  • Edinburgh 2014: ‘Joe’ review
    ,

    Edinburgh 2014: ‘Joe’ review

    ★★★☆☆ American independent director David Gordon Green’s first three films, George Washington, All the Real Girls and Undertow, were each deeply rooted in the poetic realism of classic American storytelling. Adept at presenting marginalised characters and imbuing their hopes and dreams with the bewitching atmosphere of their rural surroundings, Green was soon heralded as the…

    Continue

  • Edinburgh 2014: ‘Ice Poison’ review
    ,

    Edinburgh 2014: ‘Ice Poison’ review

    ★★★★☆ Myanmar-born, Taiwan-based director Midi Z’s third feature, Ice Poison (2014), completes a trilogy of intimate portraits of contemporary life in Burma. Combining a sparse narrative with an intimate visual style, the director presents the moral dilemmas that accompany the drastic economic hardship of his homeland. Everything is getting more expensive except for the crops…

    Continue

  • Edinburgh 2014: ‘Final Whistle’ review
    ,

    Edinburgh 2014: ‘Final Whistle’ review

    ★★★★☆ Originally filmed during the 2010 FIFA World Cup, Niki Karimi’s Final Whistle (2011) makes its UK premiere four years later. A courageous critique of class and gender inequality in Iran, Final Whistle is an against-the-clock drama that plays out against the backdrop of a male dominated sporting event currently under the scrutiny for allegations…

    Continue

  • Edinburgh 2014: ‘Aberdeen’ review
    ,

    Edinburgh 2014: ‘Aberdeen’ review

    ★★★☆☆ When Hong Kong reverted back to Chinese sovereignty on 1 July 1997, many thought that the removal of colonial education systems would lead to a gradual shift towards a stronger identification with China. Attempting to reconcile the past to build a brighter future, the city finds itself with something of an identity crisis, an…

    Continue

  • Edinburgh 2014: 68th EIFF programme preview
    ,

    Edinburgh 2014: 68th EIFF programme preview

    Edinburgh Film Festival Artistic Director Chris Fujiwara has announced the full programme for this year’s 68th incarnation. Boasting 156 features from 47 countries, highlights include the UK premiere of Control and The American director Anton Corbijn’s A Most Wanted Man (featuring one of Philip Seymour Hoffman’s final performances), Gia Coppola’s James Franco-starring Palo Alto and,…

    Continue

  • Film Review: ‘Spring in a Small Town’
    ,

    Film Review: ‘Spring in a Small Town’

    ★★★★★ This year, the BFI has embarked on a glorious season of screenings that celebrate the last one hundred years of Chinese cinema. Acting as something of a centrepiece is a film that they have been attempting to licence for UK distribution for years, Fei Mu’s Spring in a Small Town (1948). Often considered its…

    Continue

  • Film Review: ‘Miss Violence’
    ,

    Film Review: ‘Miss Violence’

    ★☆☆☆☆ “We don’t have secrets in this family,” Themis Panou’s repulsive pater familias – who bears an uncanny resemblance to Donald Pleasance – states in Alexandros Avranas’ Miss Violence (2013), the baffling winner of several awards at last year’s 70th Venice Film Festival. However, when it comes to families in this kind of drama, nothing…

    Continue