Film Reviews & More
★★★★☆ With Luca Guadagnino’s terrific Challengers, the acclaimed director of Call Me By Your Name brings us the sub-genre we never knew we needed: the erotic tennis thriller.
★★☆☆☆ Directors Bettinelli-Olpin and Gillett’s “Abigail” mashes up crime caper and monster movie, but fails to deliver fear or humor. Spoilery trailers and unoriginal characters overshadow promising elements, resulting in a dull, lifeless experience lacking creativity and wit.
★★★★☆ In Alex Garland’s Civil War, a group of journalists embark on a road trip to interview the US President amidst a second American Civil War, while exploring media’s dehumanizing relationship with violence.
★★★★☆ Amidst the most rapidly-ageing population in the world and following a string of violent attacks against the elderly, the Japanese legislature passes a bill to legalise assisted suicide over the age of 75. Hayakawa Chie’s debut feature is an emotionally nuanced human drama as well as an accomplished study of the banality of evil.
★★★☆☆ Serving in the aftermath of the Second World War, Nathan Hilu was assigned as a guard at the Nuremberg war trials. After he left the army, Hilu discovered art as a way of expressing himself and telling his story, earning a career as an illustrator in New York.
★★★★★ Returning to South Korea after being adopted in France as a baby, Freddie (Park Ji-min) embarks on an epic journey of self discovery and reinvention. His third feature, Davy Chou’s Return to Seoul is a visceral, astonishingly assured work, compelling, rarely predictable, and vital.
★★☆☆☆ Korean-American director Christina Yr. Lim’s latest is a sweet family drama headed by two charismatic leads and nicely drawn, criss-crossing relationships. Sadly, dangling narrative threads, a few overcooked performances and undeveloped themes keep For Taylor firmly on the b-side.
★★★☆☆ Lola Quivoron’s debut fiction feature is an affecting and vital hybrid picture, part crime drama, part character study. Rodeo follows the exploits of Julia (Julie Ledru), a somewhat delinquent youth who boosts dirt bikes for the thrill of it, before falling in with a gang of bikers who help her hone her skills as both a thief and a rider.
★★★★☆ In French Polynesia, High Commissioner De Roller (Benoît Magimel) manages the delicate tensions between islanders and the establishment, moving through society’s strata. Writer-director Albert Serra’s latest is a hazy fever dream of post-colonialist politics and ambition that, in its final minutes, lurches into apocalyptic mania.
★★★★☆ Can love sustain in a relationship if it is not reciprocal; indeed is such a thing even love? With One Fine Morning, celebrated French director Mia Hansen-Løve presents complementary accounts of infatuation, love, and loss in a nuanced, moving study of the ways that love can sustain and consume us.
★★★★★ Sent on a mission to establish a parish in a remote Icelandic settlement, Danish priest Lucas (Elliott Crosset Hove) must brave harsh conditions, strange customs and existential dread in Hlynur Pálmason’s 19th century Nordic epic. Godland is the Icelandic director’s most accomplished work to date.
