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Daniel Green

Tallinn 2019: Festival highlights & awards roundup

Seeing out its 23rd edition as the snow gently fell outside of Tallinn’s Russian Theatre, the Black Nights Film Festival (PÖFF) yesterday crowned Anshul Chauhan’s Japanese father and daughter tale Kontora (pictured above) as the Grand Prix winner, with the...

Film Review: The Farewell

★★★★☆ “Based on an actual lie” is the text that sets audiences up rather nicely for the lilting tone of Sundance hit The Farewell, the deeply personal and semi-autobiographical second feature from American writer and director Lulu Wang. Hoping to capitalise...

Film Review: Ad Astra

★★★★★ From the thin blue line that divides the brothers of We Own the Night to the disrupted family units of Little Odessa and The Lost City of Z, it’s the external forces that pull us apart rather than the ties that...

Oscars 2019: Green Book wins Best Picture, Colman is Best Actress

Several surprise wins livened up an otherwise low-key 91st Academy Awards, with Green Book trumping Roma to Best Picture and Olivia Colman besting Glenn Close for her role as Queen Anne in Yorgos Lanthimos’ The Favourite. Freddie Mercury biopic Bohemian Rhapsody won the most awards on the night with...

Oscars 2019: Our predictions

The 91st Academy Awards are just hours away and yet, with the announcement that the Oscars for Cinematography, Editing, Live Action Short and Make-Up will no longer be banished to commercial breaks, the final ceremony itself still feels very much...

Baftas 2019: The Favourite wins seven, Roma is Best Film

Hosted by Joanna Lumley, last night’s Baftas ceremony saw Yorgos Lanthimos’ acclaimed The Favourite pick up seven of the twelve awards it was nominated for including Outstanding British Film, Best Actress for Olivia Colman and Best Supporting Actress for Rachel Weisz. Best...

Baftas 2019: Our predictions

With the UK’s most prestigious film awards taking place later today (10 February), it’s time to enter into a round of foolproof – or is that foolhardy? – predictions on who will win at the 72nd Baftas. To add an...

Film Review: Suspiria (2018)

★★★★☆ Luca Guadagnino returns to screens this week with his long-awaited take on giallo classic Suspiria – minus much of the giallo. While there are several overt nods to Dario Argento’s vibrantly hued horror, the Call Me By Your Name director...

Film Review: The Meg

★★★☆☆ Loosely based on a series of trash sci-fi horror novels, The Meg surges into as many multiplexes as it can muster this weekend hoping to offer the kind of Jaws-lite jolts that enraptured a generation back in 1977. It’s also very conspicuously...

Cannes 2018: Palme d’Or lineup announced

With the lead-up dominated by thinkpieces over Netflix’s exclusion from this year’s Cannes competition lineup, it was something of a relief to finally be able to discuss the film’s that would be vying for the Palme d’Or and Un Certain Regard...

Film Review: A Quiet Place

★★★★☆ With two high-profile sci-fis offloaded to Netflix in recent months – one sagely (The Cloverfield Paradox), the other more controversially (Annihilation, given its strong reviews) – you’d be forgiven for questioning whether Paramount still had the stomach for releasing...