Cannes 2014: ‘Jauja’ review
★★★☆☆ Viggo Mortensen takes a leisurely stroll through South American arthouse territory in Lisandro Alonso’s oddly compelling peculiarity Jauja (2014). From a screenplay by...
The 77th Cannes Film Festival concluded with a shift to the new generation. Notable awards went to Sean Baker’s Anora and Iranian director Mohammad Rasoulof The Seed of the Sacred Fig.
★★★☆☆ Catherine Corsini arrives in Cannes with Homecoming, an adeptly told family drama which boasts some stand out performances. Fifteen years after a tragic incident, Kheìdidja (Aissatou Diallo Sagna), a single mother, returns to Corsica with her two daughters to look after the children of a wealthy family.
Cannes’ 75th edition came to a close with a Palme d’Or for Ruben Östlund’s Triangle of Sadness. It was a fittingly ironic moment for the wealthy, star-studded audience to applaud a satire that eviscerates the wealthy and celebrity-obsessed upper-classes. It was Östlund’s second Palme d’Or and, although well-deserved, felt symptomatic of a festival which was fine at best.
★★★☆☆ Viggo Mortensen takes a leisurely stroll through South American arthouse territory in Lisandro Alonso’s oddly compelling peculiarity Jauja (2014). From a screenplay by...
★★★☆☆ When Aborigine actor, dancer and activist David Gulpipil was just sixteen he starred in Nicolas Roeg’s masterful Walkabout (1971), accompanying the director and...
★★★★★ Life is “nasty, brutish, and short” wrote Thomas Hobbes, the author of the philosophical and political work from which Andrei Zvyagintsev’s Leviathan (2014)...
★★☆☆☆ Veteran British director Ken Loach makes what could to be his narrative curtain call with Irish political period piece Jimmy’s Hall (2014), which...
★★★☆☆ If one Nicole caught headlines earlier in the festival at the Palais with Olivier Dahan’s much-maligned bioflop Grace of Monaco (2014), better notices...
★★☆☆☆ “This isn’t Saving Private Ryan,” a Russian soldier remarks to camera as one of his comrades films the aftermath of a battle and...
★★☆☆☆ Screening in the Un Certain Regard sidebar at this year’s Cannes Film Festival, Jaime Rosales’ Beautiful Youth (2014) aspires to a gritty realism...
★★★☆☆ With an unprecedented third Palme d’Or firmly in the brothers’ sights, Jean-Pierre and Luc Dardenne return to the Croisette this year with a...