Matthew Anderson

  • Small Axe: Lovers Rock review
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    Small Axe: Lovers Rock review

    ★★★★☆ Lovers Rock is loud, proud and joyous. It’s an invigorating, pound-the-walls-and-floorboards ode to its titular style of reggae. At just sixty-eight minutes, the second instalment of Steve McQueen’s Small Axe five-parter may seem more episodic in length, but as the series’ name suggests, great things can come in small packages. Moving forward in time…

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  • Film Review: Patrick
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    Film Review: Patrick

    ★★★★☆ There’s no rulebook or any one way for a person to react to the death of a family member. And with his first big screen endeavour, Patrick, Peaky Blinders director Tim Mielants has crafted as unusual an exploration of grief and loss as you are ever likely to see. Set in a simple, rather shabby nudist…

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  • Small Axe: Mangrove review
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    Small Axe: Mangrove review

    ★★★★★ Taking a sledgehammer to institutionalised racism with the clarity of purpose and skill of a master craftsman, Steve McQueen is once again at the very top of his game, and indeed his profession, with Mangrove. Constituting just one instalment of the five-part Small Axe series, this film is a towering achievement. Chosen as the BFI London Film…

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  • Film Review: Shirley
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    Film Review: Shirley

    ★★★☆☆ From a script by Sarah Gubbin – who adapted a novel by Susan Scarf Merrell – whose story was based on the prolific horror author Shirley Jackson – Josephine Decker’s fourth feature is (to say the least) a multi-layered affair. Demanding patience and perseverance, we dig down through agoraphobia, heavy drinking and airs of…

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  • Film Review: Relic
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    Film Review: Relic

    ★★★★☆ The slow rot of psychological decay is brought into the physical realm with creeping, insidious stealth by Natalia Erika James in her highly assured, thought-provoking feature debut, Relic. Re-framing more traditional genre choices for representing dementia, the Japanese-Australian filmmaker has crafted a chilling, mysterious horror to communicate the confusion and terror caused by diminishing intellectual…

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  • Film Review: The Painter and the Thief
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    Film Review: The Painter and the Thief

    ★★★★☆ Again proving that great strength can be drawn from laying bare perceived weakness, Norwegian filmmaker Benjamin Ree’s The Painter and the Thief is an art heist film like no other and an arresting documentary of startling, often brutal, emotional honesty. His 2016 debut, Magnus, which charted the rise to stardom of a chess prodigy in intimate, familial detail, explored…

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  • Film Review: Mogul Mowgli
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    Film Review: Mogul Mowgli

    ★★★☆☆ Riz Ahmed battles questions of cultural and religious identity, familial expectation, self and health in order to find his calling, and to find his way home, in Mogul Mowgli. Knowing where you’re going cannot be known without knowing where you’ve come from, and director Bassam Tariq’s layered narrative feature debut shifts through time and space as…

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  • Film Review: African Apocalypse
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    Film Review: African Apocalypse

    ★★★★☆ “You’d never know what’s underneath, unless someone told you.” History books, lectures and internet searches cannot possibly substitute hearing first-hand the effects of Europe’s colonialist past on one of the most impoverished countries in the world. In Rob Lemkin’s African Apocalypse, Oxford University student Femi Nylander’s voyage of discovery digs into a trail of…

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  • Film Review: Wolfwalkers
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    Film Review: Wolfwalkers

    ★★★★☆ Adding yet another jewel to their burgeoning crown, Irish animation studio Cartoon Saloon’s latest film, Tomm Moore and Ross Stewart’s Wolfwalkers, is a triumphant blend of mythology and history, of soaring imagination and cruel reality. It is the enchanting adventure story of an unlikely friendship between two girls. They are not so much from…

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  • Film Review: One Man and His Shoes
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    Film Review: One Man and His Shoes

    ★★★★☆ “How much do you get paid, just to wear these shoes?” David Letterman’s question to Michael Jordan is met with shrieks of delight from his studio audience. The soon-to-be global superstar bashfully responds, “A lot,” grinning from ear to ear. It’s 1986, Ronald Reagan is President and capitalism is alive and well in the United…

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