Sundance 2021: Programme preview
If the past year has taught cultural institutions the world over anything, it’s that the show can and must go on. The continuing Covid-19...
★★★★☆ Bite-sized pearls of wisdom and wonderment from everyone’s favourite YouTube crustacean sensation make an elegant shuffle, frequent leaps and occasional tumbles from the internet to the big screen in Dean Fleischer Camp’s marvellous Marcel the Shell with Shoes On.
★★★★☆ Maltese-American filmmaker Alex Camilleri’s Luzzu charts a course between the dispassionate neorealism of the Dardenne brothers and Gianfranco Rosi’s keen but objective documentarian eye. It is a touching parable of fathers and sons, tradition and modernity, principles versus practicality.
★★☆☆☆ Actor, playwright, novelist and now screenwriter-director Leah Purcell – a Goa-Gunggari-Wakka Wakka Murri woman from rural Queensland – makes her debut with The Drover’s Wife: The Legend of Molly Johnson.
If the past year has taught cultural institutions the world over anything, it’s that the show can and must go on. The continuing Covid-19...
★★★★☆ American filmmaker Ryan White, director of the acclaimed Netflix mini-series The Keepers, spins a web of riveting, murderous intrigue in his latest documentary...
★★★★☆ It’s hard to imagine Cassius Clay ever taking a back seat in a discussion or standing down from a fight, but his is...
★★★★☆ MLK/FBI is an insightful, adroitly constructed documentary which seeks to mine new truths from a recent, tangible past. Filmmaker Sam Pollard pits the aspirations,...
★★★☆☆ Bookmarked by static long takes of three people, firstly in the immensity of JFK’s arrivals hall and then a cramped, one-bedroom Brooklyn apartment,...
★★★★☆ “Memories fill the heart, but they shouldn’t hold back the future. You always have to stay positive.” Though this sage, admirably optimistic counsel...
★★★★☆ Visually striking and audibly arresting from its opening number until the curtain comes down, Crock of Gold: A Few Rounds with Shane MacGowan...
★★★★☆ Lovers Rock is loud, proud and joyous. It’s an invigorating, pound-the-walls-and-floorboards ode to its titular style of reggae. At just sixty-eight minutes, the...